So, to express it briefly, the possibility of hugging the shore of the real as it had not, among us, been hugged, and of pushing inland, as far as a keel might float, wherever the least opening seemed to smile, dawned upon a few votaries and gathered further confidence with exercise. Who could say, of course, that Jane Austen had not been close, just as who could ask if Anthony Trollope had not been copious?—just as who could _not_ say that it all depended on what was meant by these terms? The demonstration of what was meant, it presently appeared, could come but little by little, quite as if each tentative adventurer had rather anxiously to learn for himself what _might_ be meant—this failing at least the leap into the arena of some great demonstrative, some sudden athletic and epoch-making authority. Who could pretend that Dickens was anything but romantic, and even more romantic in his humour, if possible, than in pathos or in queer perfunctory practice of the “plot”? Who could pretend that Jane Austen didn’t leave much more untold than told about the aspects and manners even of the confined circle in which her muse revolved? Why shouldn’t it be argued against her that where her testimony complacently ends the pressure of appetite within us presumes exactly to begin? Who could pretend that the reality of Trollope didn’t owe much of its abundance to the diluted, the quite extravagantly watered strain, no less than to the heavy hand, in which it continued to be ladled out? Who of the younger persuasion would not have been ready to cite, as one of the liveliest opportunities for the critic eager to see representation searching, such a claim for the close as Thackeray’s sighing and protesting “look-in” at the acquaintance between Arthur Pendennis and Fanny Bolton, the daughter of the Temple laundress, amid the purlieus of that settlement? The sentimental habit and the spirit of romance, it was unmistakably chargeable, stood out to sea as far as possible the moment the shore appeared to offer the least difficulty to hugging, and the Victorian age bristled with perfect occasions for our catching them in the act of this showy retreat. All revolutions have been prepared in spite of their often striking us as sudden, and so it was doubtless that when scarce longer ago than the other day Mr. Arnold Bennett had the fortune to lay his hand on a general scene and a cluster of agents deficient to a peculiar degree in properties that might interfere with a desirable density of illustration—deficient, that is, in such connections as might carry the imagination off to some sport on its own account—we recognised at once a set of conditions auspicious to the newer kind of appeal. Let us confess that we were at the same time doubtless to master no better way of describing these conditions than by the remark that they were, for some reason beautifully inherent in them, susceptible at once of being entirely known and of seeming detectably thick.