Notes on Novelists, with Some Other NotesJames, Henry
History
Notes on Novelists, with Some Other Notes
James, Henry
Fiction -- History and criticism; Novelists
His complications were of the spirit, of the literary vision, and though
he was thoroughly profane he was yet essentially anchoretic. I perhaps
miss a point, however, in not finally subjoining that he was liberally
accessible to his friends during the months he regularly spent in Paris.
Sensitive, passionate, perverse, not less than _immediately_
sociable—for if he detested his collective contemporaries this dropped,
thanks to his humanising shyness, before the individual encounter—he
was in particular and superexcellently not _banal_, and he attached men
perhaps more than women, inspiring a marked, a by no means colourless
shade of respect; a respect not founded, as the air of it is apt to be,
on the vague presumption, but addressed almost in especial to his
disparities and oddities and thereby, no doubt, none too different from
affection. His friends at all events were a rich and eager _cénacle_,
among whom he was on occasion, by his picturesque personality, a natural
and overtopping centre; partly perhaps because he was so much and so
familiarly at home. He wore, up to any hour of the afternoon, that long,
colloquial dressing-gown, with trousers to match, which one has always
associated with literature in France—the uniform really of freedom of
talk. Freedom of talk abounded by his winter fire, for the _cénacle_ was
made up almost wholly of the more finely distinguished among his
contemporaries; of philosophers, men of letters and men of affairs
belonging to his own generation and the next. He had at the time I have
in mind a small perch, far aloft, at the distant, the then almost
suburban, end of the Faubourg Saint-Honoré, where on Sunday afternoons,
at the very top of an endless flight of stairs, were to be encountered
in a cloud of conversation and smoke most of the novelists of the
general Balzac tradition. Others of a different birth and complexion
were markedly not of the number, were not even conceivable as present;
none of those, unless I misremember, whose fictions were at that time
“serialised” in the Revue des Deux Mondes. In spite of Renan and Taine
and two or three more, the contributor to the Revue would indeed at no
time have found in the circle in question his foot on his native heath.
One could recall if one would two or three vivid allusions to him, not
of the most quotable, on the lips of the most famous of
“naturalists”—allusions to him as represented for instance by M. Victor
Cherbuliez and M. Octave Feuillet. The author of these pages recalls a
concise qualification of this last of his fellows on the lips of Émile
Zola, which that absorbed auditor had too directly, too rashly asked
for; but which is alas not reproducible here. There was little else but
the talk, which had extreme intensity and variety; almost nothing, as I
remember, but a painted and gilded idol, of considerable size, a relic
and a memento, on the chimney-piece. Flaubert was huge and diffident,
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