This is a small image, less than 2 feet in length, representing a human figure dressed in a robe of white feathers, with a headdress consisting of a single upright feather and pendants of ermine skin, with numerous strands of blue beads around its neck, and painted upon the face, breast, and back with designs symbolic of the sun and moon. [Martinez says the face is entirely obscured by hanging beads.] The image itself is of dark-green stone, in form rudely resembling a human head and bust, probably shaped by art like the stone fetishes of the Pueblo tribes. It is preserved in a rawhide box in charge of the hereditary keeper, and is never under any circumstances exposed to view except at the annual sun dance, when it is fastened to a short upright stick planted within the medicine lodge, near the western side.... The ancient _tai´me_ image was of buckskin, with a stalk of Indian tobacco for a headdress. This buckskin image was left in the medicine lodge, with all the other adornments and sacrificial offerings, at the close of each ceremony. The present _tai´me_ is one of three, two of which came originally from the Crows, through an Arapaho who married into the Kiowa tribe, while the third came by capture from the Blackfeet.[6] The bundle containing the image is usually hung outside of its keeper's tipi. It is not customary to expose the image except at the sun dance, but tobacco is placed with it from time to time. Its function outside of the dance is identical with its use there: those who need its aid make vows to it, which they fulfil by sacrificing horses, etc., and making sweatlodges. The image is the property of one man, or more properly of his family, since it may be inherited by his blood relatives. If the transfer is made before the father's death, payment and a sweatlodge must be given by the son.[7] After Long Foot died about 1870, as he had no son, it passed into the possession of three of his nephews in succession, and reverted in 1894 to his daughter who still has it.[8] While she may handle the image, she would not be permitted to enter the dance with it.[9] There the functions which would normally devolve on her would be performed in their entirety by a captive. This captive has been trained to the position in order to take the place of the image keeper should he be sick. A captive is chosen for the substitute so that a calamity incurred by a mischance in the proceedings may fall on him alone and not on the Kiowa. The erstwhile substitute, a Mexican, is still living. The image keeper, like his four associates, must not look in a mirror, nor touch a skunk or jackrabbit. One who touches these animals cannot enter the tipi where the doll is housed until four days have elapsed. No dog is allowed in this tipi, nor is one permitted to jump over the keeper or his four associates, the _g.uołg.uȧt`_.