Notes on the natural history of the Bell Rock — John Shaqi
Notes on the natural history of the Bell RockCampbell, J. M. (John MacLean)
History
Notes on the natural history of the Bell Rock
Campbell, J. M. (John MacLean)
Lighthouses -- Natural history; Natural history -- Scotland -- Bell Rock
“In the centre of the floor stands the revolving machinery enclosed
in a heavy metal case, upon which the huge lens, with its supporting
carriage, revolves. The lens itself--a marvel of the glassmaker’s
art--is the production of a French firm. Imagine a huge saucer, twelve
feet in diameter, composed of twenty concentric prisms of purest glass,
each with a diameter almost as much as a man may enclose with both
hands, terminating centrally in a sixteen inch plano-convex lens or
bull’s-eye. Suppose the rim of this saucer to the extent of four prisms
be turned sharply inwards, the whole set vertically on edge--convexity
outwards--and a vertical section--in which the bull’s-eye and three
adjoining prisms are alone intact--projected a foot further forward,
one may gain some idea of that particular portion of the lens allotted
to the red flash, the colour of which is attained by means of sheets of
red glass attached inside the central section and on the outside of the
adjoining wings. On the opposite side of the lens, and in a line with
the central red section, is a similar section--minus the adjoining
wings and the red media--through which the white flash is transmitted.
Both flashes are intended to equal each other in intensity, which
accounts for the much smaller portion of the lens allotted to the
white. A belt of horizontal prisms, three feet wide, connects the
wings of the red section with the white on either side, and reflects
the rays of light equally to both sections. Stooping underneath this
belt, access is obtained to a fixed circular platform in the interior
of the lens. In the centre of this platform, upon an iron pedestal, is
placed the source of illumination, a large six-wick lamp. Between this
platform and the top of the machine case, the circular carriage upon
which the superstructure of the lens is erected revolves upon twelve
five-inch steel rollers travelling upon a circular metal pathway.
Attached to the under side of this carriage is a heavy gun-metal
ring, six feet in diameter, toothed on its inner circumference, which
engages with a horizontal pinion wheel rising from the corner of the
machine case, and through which the driving power is transmitted. The
machine--an exaggerated form of clockwork--is driven by a weight of
400 lbs. travelling in the centre of the spiral stair on the first
flat. The speed of the machine is regulated by adjustable fans; and a
speed indicator, furnished with an alarm bell, intimates the periods of
winding--an operation necessitating two minutes’ stiff winding every
half-hour. The entire lens, with its supporting carriage, is estimated
to weigh about six tons. The lamp, as I have already stated, is placed
upon an iron pedestal in the centre of the platform, or service table,
as it is called, in the interior of the lens. It is fitted with what
is known as the stepped Doty burner, and carries six concentric wicks,
each slightly elevated above the other towards the centre. The burner
Public-domain text, read in full here on John Shaqi.
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