Notes to Shakespeare — Volume 01: ComediesJohnson, Samuel
General
Notes to Shakespeare — Volume 01: Comedies
Johnson, Samuel
Shakespeare, William, 1564-1616 -- Criticism and interpretation
III.i.105 (178,8) [For slander lives upon succession] The line apparently
wants two syllables: what they were, cannot now be known.
The line may be filled up according to the reader's fancy, as thus:
_For_ lasting _slander lives upon succession_.
III.ii.27 (180,3) ['Tis holy sport to be a little vain] is _light of
tongue, not veracious_.
III.ii.64 (181,2) [My sole earth's heaven, and my heaven's claim]
When be calls the girl his _only heaven on the earth_, he utters
the common cant of lovers. When he calls her _his heaven's claim_,
I cannot understand him. Perhaps he means that which he asks of
heaven.
III.ii.125 (184,5)
[_S. Ant._ Where France?
_S. Dro._ In her forehead; arm'd and reverted,
making war against her hair]
[T, from the first Folio: heir] With this correction and explication
Dr. Warburton concurs, and sir T. Hammer thinks an equivocation
intended, though he retains _hair_ in the text. Yet surely
they have all lost the sense by looking beyond it. Our authour,
in my opinion, only sports with an allusion, in which he takes
too much delight, and means that his mistress had the French
disease. The ideas are rather too offensive to be dilated. By
a forehead _armed_, he means covered with incrusted eruptions: by
reverted, he means having the hair turning backwards. An equivocal
word must have senses applicable to both the subjects to
which it is applied. Both _forehead_ and _France_ might in some sort
make war against their _hair_, but how did the _forehead_ make war
against its _heir_? The sense which I have given immediately occurred
to me, and will, I believe, arise to every reader who is
contented with the meaning that lies before him, without sending
out conjecture in search of refinements.
IV.ii.19 (192,9) [sere] that is, _dry_, withered.
IV.ii.22 (192,1) [Stigmatical in making] This is, _marked_ or _stigmatized_
by nature with deformity, as a token of his vicious disposition.
IV.ii.35 (193,3) [A fiend, a fairy, pitiless and rough] [T: A fiend,
a fury] There were fairies like _hobgoblins_, pitiless and rough,
and described as malevolent and mischievous, (see 1765, III,143,3)
IV.ii.39 (193,5) [A hound that runs counter, and yet draws dry-foot
well] To _run counter_ is to _run backward_, by mistaking the course
of the animal pursued; to _draw dry-foot_ is, I believe, to pursue
by the _track_ or _prick of the foot_; to _run counter_ and _draw dry-foot
well are_, therefore, inconsistent. The jest consists in
the ambiguity of the word _counter_, which means the _wrong way in_*
_the chase._ and a _prison_ in London. The officer that arrested him was
a serjeant of the counter. For the congruity of this jest with the scene of
action, let our authour answer.
IV.iii.13 (196,9) [what, have you got the picture of old Adam new
apparel'd] [T: got rid of the picture] The explanation is very
good, but the text does not require to be amended.
Public-domain text, read in full here on John Shaqi.
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