Notes to Shakespeare, Volume III: The Tragedies — John Shaqi
Notes to Shakespeare, Volume III: The TragediesJohnson, Samuel
General
Notes to Shakespeare, Volume III: The Tragedies
Johnson, Samuel
Shakespeare, William, 1564-1616 -- Criticism and interpretation
This speech of the poet is very obscure. He seems to boast the
copiousness and facility of his vein, by declaring that verses drop from
a poet as gums from odoriferous trees, and that his flame kindles itself
without the violence necessary to elicit sparkles from the flint. What
follows next? that it, _like a current, flies each bound it chafes_.
This may mean, that it expands itself notwithstanding all obstructions:
but the images in the comparison are so ill-sorted, and the effect so
obscurely expressed, that I cannot but think something omitted that
connected the last sentence with the former. It is well knovn that the
players often shorten speeches to quicken the representation; and it may
be suspected, that they sometimes performed their amputations with more
haste than judgment, (see 1765, VI, 169, 6)
I.i.27 (274,9) _Poet_. Upon the heels of my presentment, sir.] As soon
as my book has been presented to lord Timon.
I.i.29 (274,1) This comes off weil and excellent] [By this we are to
understand what the painters call the _goings off_ of a picture, which
requires the nicest execution. WARBURTON.] The note I understand less
than the text. The meaning is, This figure rises weil from the canvas.
_C'est bien releve._
I.i.37 (275,3) artificial strife] _Strife_ is either the contest or act
with nature.
_Hic ille est_ Raphael, _timuit, quo aospite vinci
Rerum magna parens, & moriente, mori_.
Or it is the contrast of forms or opposition of colours.
I.i.43 (275,4) this confluence, this great flood of visitors] _Mane
salutantum totis vomit aedibus undam_.
I.1.46 (275,5) Halts not particularly] My design does not stop at any
single characters.
I.1.47 (276,7)
no levell'd malice
Infects one comma in the course I hold;
But flies an eagle-flight, bold, and forth on,
Leaving no tract behind]
To _level_ is to _aim_, to point the shot at a mark. Shakespeare's
meaning is, my poem is not a satire written with any particular view, or
_levelled_ at any single person; I fly like an eagle into the general
expanse of life, and leave not, by any private mischief, the trace of my
passage.
I.i.51 (276,8) I'll unbolt] I'll open, I'll explain.
I.i.53 (276,9) glib and slippery creatures] Hanmer, and Warburton after
him, read, _natures_. _Slippery_ is _smooth_, unresisting.
I.i.58 (276,1) glass-fac'd flatterer] That shows in his own look, as by
reflection, the looks of his patron.
I.i.65 (277,3) rank'd with all deserts] _Cover'd with ranks_ of all
kinds of men.
I.i.67 (277,4) To propagate their states] To advance or improve their
various conditions of life.
I.i.72 (277,5) conceiv'd to scope] Properly imagined, appositely, to the
purpose.
I.i.82 (278,8) through him/Drink the free air] That is, catch his breath
in affected fondness.
Public-domain text, read in full here on John Shaqi.
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