NOTE ON ROSALIND AND HELEN BY MRS. SHELLEY.
"Rosalind and Helen" was begun at Marlow, and thrown aside--till I found
it; and, at my request, it was completed. Shelley had no care for any of
his poems that did not emanate from the depths of his mind, and develop
some high or abstruse truth. When he does touch on human life and the
human heart, no pictures can be more faithful, more delicate, more
subtle, or more pathetic. He never mentioned Love but he shed a grace
borrowed from his own nature, that scarcely any other poet has bestowed
on that passion. When he spoke of it as the law of life, which inasmuch
as we rebel against we err and injure ourselves and others, he
promulgated that which he considered an irrefragable truth. In his eyes
it was the essence of our being, and all woe and pain arose from the war
made against it by selfishness, or insensibility, or mistake. By
reverting in his mind to this first principle, he discovered the source
of many emotions, and could disclose the secrets of all hearts, and his
delineations of passion and emotion touch the finest chords of our
nature.
"Rosalind and Helen" was finished during the summer of 1818, while we
were at the Baths of Lucca.
NOTE BY MRS. SHELLEY.
From the Baths of Lucca, in 1818, Shelley visited Venice; and,
circumstances rendering it eligible that we should remain a few weeks in
the neighbourhood of that city, he accepted the offer of Lord Byron, who
lent him the use of a villa he rented near Este; and he sent for his
family from Lucca to join him.
I Capuccini was a villa built on the site of a Capuchin convent,
demolished when the French suppressed religious houses; it was situated
on the very overhanging brow of a low hill at the foot of a range of
higher ones. The house was cheerful and pleasant; a vine-trellised walk,
a pergola, as it is called in Italian, led from the hall-door to a
summer-house at the end of the garden, which Shelley made his study, and
in which he began the "Prometheus"; and here also, as he mentions in a
letter, he wrote "Julian and Maddalo". A slight ravine, with a road in
its depth, divided the garden from the hill, on which stood the ruins of
the ancient castle of Este, whose dark massive wall gave forth an echo,
and from whose ruined crevices owls and bats flitted forth at night, as
the crescent moon sunk behind the black and heavy battlements. We looked
from the garden over the wide plain of Lombardy, bounded to the west by
the far Apennines, while to the east the horizon was lost in misty
distance. After the picturesque but limited view of mountain, ravine,
and chestnut-wood, at the Baths of Lucca, there was something infinitely
gratifying to the eye in the wide range of prospect commanded by our new
abode.
Public-domain text, read in full here on John Shaqi.
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