For example, when Mrs. Augustus Ossenreich Vanderpool said: “Don’t you
adore dogs, Mr. Bennett?”
“No. I like them.” It became necessary to qualify that. “That is—not
the little kind.”
The lady stiffened. Her beribboned and perfumed five-thousand-dollar
toy-dogs were the idolized darlings of her heart. The children might be
relegated to the nursery but the canines had the run of the boudoir.
They rode with her when she went out in state while the French _bonne_
took the children for an airing. “And why are the ‘little kind’ excluded
from the realm of your approbation?” observed Mrs. Vanderpool coldly.
It was quite a contract to answer that. Bob wanted to be truthful; not
to say too much or too little; only just as much as he was in honor
bound to say. “I think people make too much fuss over them,” he answered
at last. That reply seemed quite adequate and he trusted the lady would
change the subject. But people had a way of not doing what he wanted
them to, lately.
“What do you call ‘too much fuss’?” pursued the lady persistently.
Bob explained as best he could. It was rather a thankless task and he
floundered a good deal as he went about it. He wasn’t going to be a bit
more disagreeable than he could help, only he couldn’t help being as
disagreeable as he had to be. The fact that Miss Gwendoline Gerald’s
starry eyes were on him with cold curiosity did not improve the lucidity
of his explanation. In the midst of it, she to whom he was talking,
seemed somehow to detach herself from him, gradually, not pointedly, for
he hardly knew just when or how she got away. She seemed just to float
off and to attach herself somewhere else—to the bishop or to a certain
judge Mrs. Ralston always asked to her house-parties that they might
have a judicial as well as an ecclesiastical touch—and Bob’s
explanation died on the thin air. He let it die. He didn’t have to speak
truth to vacancy.
Then he tangoed, but not with Miss Gwendoline Gerald. He positively
dared not approach that young lady. He didn’t tango because he wanted
to, but because some one set a big music-box going and he knew he was
expected to tango. He did it beautifully and the young lady was charmed.
She was a little dark thing, of the clinging variety, and Dickie had
gone with her some. Her father owned properties that would go well with
Dickie’s—there’d been some talk of consolidation, but it had never come
off. Papa was inclined to be stand-offish. Then Dickie began to get
attentive to the little dark thing, though nothing had yet come of that
either. Bob didn’t own any properties but the little dark thing didn’t
mind that. At tangoing, he was a dream. Properties can’t tango.
“You do it so well,” said the little dark thing breathlessly.
“Do I?” murmured Bob, thinking of a stately young goddess, now tangoing
with another fellow.
“Don’t you adore it?” went on the little dark thing, nestling as close
as was conventional and proper.
Public-domain text, read in full here on John Shaqi.
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