Notre Coeur; or, A Woman's Pastime: A Novel — John Shaqi
Notre Coeur; or, A Woman's Pastime: A NovelMaupassant, Guy de
General
Notre Coeur; or, A Woman's Pastime: A Novel
Maupassant, Guy de
France -- Fiction; Love -- Fiction; Man-woman relationships -- Fiction
Among his intimates he had an especial predilection for artists of
every kind--among them Gaston de Lamarthe the novelist, Massival the
musician, and the painters Jobin, Rivollet, De Mandol--who seemed to
set a high value on his reason, his friendship, his intelligence,
and even his judgment, although at bottom, with the vanity that
is inseparable from success achieved, they set him down as a very
agreeable and very intelligent man who had failed to score a success.
Mariolle's haughty reserve seemed to say: "I am nothing because I have
not chosen to be anything." He lived within a narrow circle, therefore,
disdaining gallantry and the great frequented salons, where others
might have shone more brilliantly than he, and might have obliged him
to take his place among the lay-figures of society. He visited only
those houses where appreciation was extended to the solid qualities
that he was unwilling to display; and though he had consented so
readily to allow himself to be introduced to Mme. Michèle de Burne, the
reason was that his best friends, those who everywhere proclaimed his
hidden merits, were the intimates of this young woman.
She lived in a pretty _entresol_ in the Rue du Général-Foy, behind the
church of Saint Augustin. There were two rooms with an outlook on the
street--the dining-room and a salon, the one in which she received her
company indiscriminately--and two others that opened on a handsome
garden of which the owner of the property had the enjoyment. Of the
latter the first was a second salon of large dimensions, of greater
length than width, with three windows opening on the trees, the leaves
of which brushed against the awnings, a room which was embellished
with furniture and ornaments exceptionally rare and simple, in the
purest and soberest taste and of great value. The tables, the chairs,
the little cupboards or _étagères_, the pictures, the fans and the
porcelain figures beneath glass covers, the vases, the statuettes, the
great clock fixed in the middle of a panel, the entire decoration of
this young woman's apartment attracted and held attention by its shape,
its age, or its elegance. To create for herself this home, of which she
was almost as proud as she was of her own person, she had laid under
contribution the knowledge, the friendship, the good nature, and the
rummaging instinct of every artist of her acquaintance. She was rich
and willing to pay well, and her friends had discovered for her many
things, distinguished by originality, which the mere vulgar amateur
would have passed by with contempt. Thus, with their assistance,
she had furnished this dwelling, to which access was obtained with
difficulty, and where she imagined that her friends received more
pleasure and returned more gladly than elsewhere.
Public-domain text, read in full here on John Shaqi.
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