Notre Coeur; or, A Woman's Pastime: A Novel — John Shaqi
Notre Coeur; or, A Woman's Pastime: A NovelMaupassant, Guy de
General
Notre Coeur; or, A Woman's Pastime: A Novel
Maupassant, Guy de
France -- Fiction; Love -- Fiction; Man-woman relationships -- Fiction
These assiduous ones were few in number: Massival, Gaston de Lamarthe,
big Fresnel, George de Maltry, a fashionable young philosopher,
celebrated for his paradoxes, for his eloquent and involved erudition
that was always up to date though incomprehensible even to the most
impassioned of his female admirers, and for his clothes, which were
selected with as much care as his theories. To this tried band she had
added a few more men of the world who had a reputation for wit, the
Comte de Marantin, the Baron de Gravil, and two or three others.
The two privileged characters of this chosen battalion seemed to be
Massival and Lamarthe, who, it appears, had the gift of being always
able to divert the young woman by their artistic unceremoniousness,
their chaff, and the way they had of making fun of everybody, even of
herself, a little, when she was in humor to tolerate it. The care,
whether natural or assumed, however, that she took never to manifest
a marked and prolonged predilection for any one of her admirers, the
unconstrained air with which she practiced her coquetry and the real
impartiality with which she dispensed her favors maintained between
them a friendship seasoned with hostility and an alertness of wit that
made them entertaining.
One of them would sometimes play a trick on the others by presenting
a friend; but as this friend was never a very celebrated or very
interesting man, the rest would form a league against him and quickly
send him away.
It was in this way that Massival brought his comrade André Mariolle
to the house. A servant in black announced these names: "Monsieur
Massival! Monsieur Mariolle!"
Beneath a great rumpled cloud of pink silk, a huge shade that was
casting down upon a square table with a top of ancient marble the
brilliant light of a lamp supported by a lofty column of gilded bronze,
one woman's head and three men's heads were bent over an album that
Lamarthe had brought in with him. Standing between them, the novelist
was turning the leaves and explaining the pictures.
As they entered the room, one of the heads was turned toward them,
and Mariolle, as he stepped forward, became conscious of a bright,
blond face, rather tending to ruddiness, upon the temples of which the
soft, fluffy locks of hair seemed to blaze with the flame of burning
brushwood. The delicate _retroussé_ nose imparted a smiling expression
to this countenance, and the clean-cut mouth, the deep dimples in
the cheeks, and the rather prominent cleft chin, gave it a mocking
air, while the eyes, by a strange contrast, veiled it in melancholy.
They were blue, of a dull, dead blue as if they had been washed out,
scoured, used up, and in the center the black pupils shone, round and
dilated. The strange and brilliant glances that they emitted seemed to
tell of dreams of morphine, or perhaps, more simply, of the coquettish
artifice of belladonna.
Mme. de Burne arose, gave her hand, thanked and welcomed them.
Public-domain text, read in full here on John Shaqi.
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