Notre Coeur; or, A Woman's Pastime: A NovelMaupassant, Guy de
General
Notre Coeur; or, A Woman's Pastime: A Novel
Maupassant, Guy de
France -- Fiction; Love -- Fiction; Man-woman relationships -- Fiction
After dinner, during the course of the evening, Massival, who had
kept growing more and more melancholy, seated himself at the piano
and struck a few notes, whereupon Mme. de Burne appeared to awake and
quickly organized a little concert, the numbers of which comprised the
pieces that she was most fond of.
The Marquise was in voice, and, animated by Massival's presence, she
sang like a real artist. The master accompanied her, with that dreamy
look that he always assumed when he sat down to play. His long hair
fell over the collar of his coat and mingled with his full, fine,
shining, curling beard. Many women had been in love with him, and they
still pursued him with their attentions, so it was said. Mme. de Burne,
sitting by the piano and listening with all her soul, seemed to be
contemplating him and at the same time not to see him, and Mariolle
was a little jealous. He was not particularly jealous because of any
relation that there was between her and him, but in presence of that
look of a woman fixed so intently upon one of the Illustrious he felt
himself humiliated in his masculine vanity by the consciousness of the
rank that _They_ bestow on us in proportion to the renown that we have
gained. Often before this he had secretly suffered from contact with
famous men whom he was accustomed to meet in the presence of those
beings whose favor is by far the dearest reward of success.
About ten o'clock the Comtesse de Frémines and two Jewesses of the
financial community arrived, one after the other. The talk was of a
marriage that was on the carpet and a threatened divorce suit. Mariolle
looked at Madame de Burne, who was now seated beneath a column that
sustained a huge lamp. Her well-formed, tip-tilted nose, the dimples in
her cheeks, and the little indentation that parted her chin gave her
face the frolicsome expression of a child, although she was approaching
her thirtieth year, and something in her glance that reminded one of
a withering flower cast a shade of melancholy over her countenance.
Beneath the light that streamed upon it her skin took on tones of blond
velvet, while her hair actually seemed colored by the autumnal sun
which dyes and scorches the dead leaves.
She was conscious of the masculine glance that was traveling toward her
from the other end of the room, and presently she arose and went to
him, smiling, as if in response to a summons from him.
"I am afraid you are somewhat bored," she said. "A person who has not
got the run of a house is always bored."
Public-domain text, read in full here on John Shaqi.
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