Notre Dame de Paris: A Short History & Description of the Cathedral, With Some Account of the Churches Which Preceded It — John Shaqi
Notre Dame de Paris: A Short History & Description of the Cathedral, With Some Account of the Churches Which Preceded ItHiatt, Charles
History
Notre Dame de Paris: A Short History & Description of the Cathedral, With Some Account of the Churches Which Preceded It
Hiatt, Charles
Notre-Dame de Paris (Cathedral)
I have already said enough in reference to the commanding position
occupied by Notre Dame among the monuments of Paris. The great
cathedral seen at a distance looks ancient indeed, but a closer
inspection proves to us that the hands of modern men have been at
work on it. Indeed, one writer goes so far as to regret that it has
been scraped and patched without, and bedizened and bedaubed within.
In the first edition of Victor Hugo’s famous novel, _Notre Dame_,
he tells us that if we examine one by one the traces of destruction
imprinted on this ancient church, the work of time would be found to
form the lesser portion--the worst destruction has been perpetrated
by men--especially by men of art. Since Hugo wrote this much more
“restoration” has been carried out at the metropolitan church of Paris.
But though I regret so-called “restoration” on principle, I cannot help
feeling that the work executed by M. Viollet-le-Duc and M. Lassus is
far less objectionable than it might have been. Fortunately, unlike so
many great Continental churches, Notre Dame stands free and clear,
and may be examined on all sides without difficulty. Indeed, it is now
perhaps somewhat too isolated at the west end. Of course it does not
possess one of those venerable closes, with a supplement of ancient
ecclesiastical buildings, which is the glory of the great churches of
our own land.
=The Façade.=--The west fronts of the greater Gothic churches of
France are as a rule the most majestic features of their exteriors. One
might write much to prove that the west front of Amiens or of Chartres
is superior to that of Notre Dame, but this, after all, is an arguable
question. When we stand in front of the church by the Seine we are
struck by the reticence, by the obvious disdain of the easily obtained
picturesque, which seem to have animated its designers. The thing is
symmetrical with a fine symmetry rare among buildings of the time.
Before we discuss the façade in detail, let us quote a translation of
Victor Hugo’s detailed description, in the romance already alluded to:
Public-domain text, read in full here on John Shaqi.
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