Twenty years ago, in the days when my father was doctor at Riff and when
Annette came to live there, we could not help noticing--indeed, Mrs.
Nicholls often mentioned it--what a go-ahead place Riff was, far more up
to date than Sweet Apple Tree, and even than Meverly Mill. We measured
everything in those days by Sweet Apple Tree, and the measurement was
always in our favour. We did not talk much about Riebenbridge, where the
"'Sizes" were held, and the new "'Sylum" had just been built. We were
somewhat awed by Riebenbridge, but poor lag-behind Sweet Apple Tree,
lost amid its reeds together with the Rieben, was the subject of sincere
pity to the Riff folk. The Sweet Applers, according to Mrs. Nicholls,
were "that clunch they might have been brought up in a wood." At Riff
everything was cast in a superior and more modern mould. Riff had a
postman on a bicycle with an enormous front wheel, and if he brought a
letter in the morning you could if necessary post an answer to it the
same day in the red slit in the churchyard wall. Now at Sweet Apple Tree
the old man in a donkey-cart blowing on a little horn who brought the
Sweet Apple letters, took away directly the donkey was rested those
which the inhabitants had just composed. And even he did not call if
"the water was out."
Before I was born, when the Miss Blinketts were young and crinolined
and their father was Vicar of Riff, Sweet Apple Tree, as they have often
told me, had no choir, and the old Rector held a service once or twice a
year in his Bath chair. After he took to his bed there was no service at
all for twenty years. No wonder the Sweet Apple folk were "clunch"! How
different from Riff, with its trombone and fiddle inviting the attention
of its Creator every Sunday, and Mr. Blinkett, whose watchword was "No
popery," preaching in his black gown two sermons a week to the favoured
people of Riff.
It was Mr. Jones, Mr. Blinkett's successor, that lamentable person,
meaning well, but according to the Miss Blinketts quite unable to
perceive when a parish was worked on the right lines, it was young Mr.
Jones from Oxford, who did not marry either of the Miss Blinketts, but
who did put a stop to the trombone and fiddle, and actually brought the
choir out of the gallery, and took away the hour-glass from the south
window below the pulpit, and preached in his surplice, and made himself
very unpopular by forbidding the congregation to rise to its feet when
the Manvers family came into church, almost as unpopular as by stopping
the fiddle. You can see the old fiddle still in the cottage of Hesketh
the carrier, next the village stocks. His father had played on it, and
turned "chapel" when his services were no longer required. And it was
young Mr. Jones who actually had the bad taste openly to deplore the
saintly Blinkett's action in demolishing all the upper part of the
ancient carved and gilded screen because at eighty he could no longer
make his voice heard through it.
Public-domain text, read in full here on John Shaqi.
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