A certain mystery enveloped Mr. Spillcock. He was not a Riff man, nor
did he hail from Noyes, or Heyke, or Swale, or even Riebenbridge. What
had brought him to live at Riebenbridge no one rightly knew, not even
Mrs. Nicholls. It was whispered that he had "bugled" before Royalty in
outlandish parts, and when Foreign Missions were being practised he had
been understood to aver that the lines,
"Where Afric's sunny fountains
Roll down their golden sand,"
put him forcibly in mind of the scenes of his earlier life. Whether he
had really served in the army or not never transpired, but his grey
moustache was twirled with military ferocity, and he affected the
bearing and manner of a retired army man. It was also whispered that
Mrs. Spillcock, a somewhat colourless, depressed mate for so vivid a
personality, "was preyed upon in her mind" because another lady had a
prior or church claim to the title of Mrs. Spillcock. As a child I
always expected the real Mrs. Spillcock to appear, but she never did.
"Good evening all," said Mr. Spillcock urbanely, and without waiting for
any remarks on the lateness of the hour, he seized out of his waistcoat
pocket a tuning-fork. "We begin, I presume, with the anthem 'Now hunto
'Im.' Trebles, take your do. Do, me, sol, do. Do." Mr. Spillcock turned
towards the trebles with open mouth, uttering a prolonged falsetto do,
and showing all his molars on the left side, where apparently he held do
in reserve.
Annette guided Mrs. Nicholls and Mrs. Cocks and the timid
under-housemaid from the Dower House from circling round the note to the
note itself.
"Do," sang out all the trebles with sweetness and decision.
"Now, then, boys, why don't you fall in?" said Mr. Spillcock, looking
with unconcealed animosity at the line of little boys whom he ought not
to have disliked, as they never made any sound in the church, reserving
their voices for shouting on their homeward way in the dark.
"Now, then, boys, look alive. Take up your do from the ladies."
A faint buzzing echo like the sound in an unmusical shell could be
detected by the optimists nearest to the boys. It would have been
possible to know they were in tune only by holding their bodies to your
ear.
"They have got it," said Mr. Black valiantly.
Mr. Spillcock looked at them with cold contempt.
"Altoes, me," he said more gently. He was gallant to the fair sex, and
especially to Miss Pontifex and Miss Spriggs, one dark and one fair, and
both in the dew of their cultured youth.
"Altoes, take your me."
The two altoes, their lips ready licked, burst into a plaintive bleat,
which if it was not me was certainly nothing else.
Public-domain text, read in full here on John Shaqi.
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