Noughts and Crosses: Stories, Studies and SketchesQuiller-Couch, Arthur
General
Noughts and Crosses: Stories, Studies and Sketches
Quiller-Couch, Arthur
Manners and customs -- Fiction; Short stories
"Oh, it's you, is it?" he said, just the very least bit surprised and
no more. "Come in."
I stood in the doorway hesitating.
"Don't stay letting in that monstrous draught, man; but sit down.
You'll find the bottle on the table and a glass on the shelf."
I poured out a glassful and drank it off. The stuff was rare (I can
remember its trick on the tongue to this day), but somehow it did not
drive the cold out of my heart. I took another glass, and sat
sipping it and staring from the fire to my companion.
He had taken up the flute again, and was blowing a few deep notes out
of it, thoughtfully enough. He was a small, squarely-built man, with
a sharp ruddy face like a frozen pippin, heavy grey eyebrows, and a
mouth like a trap when it was not pursed up for that everlasting
flute. As he sat there with his wig off, the crown of his bald head
was fringed with an obstinate-looking patch of hair, the colour of a
badger's. My amazement at finding him here at this hour, and alone,
was lost in my hatred of the man as I saw the depths of complacent
knowledge in his face. I felt that I must kill him sooner or later,
and the sooner the better.
Presently he laid down his flute again and spoke:--
"I scarcely expected you."
I grunted something in answer.
"But I might have known something was up, if I'd only paid attention
to my flute. It and I are not in harmony to-night. It doesn't like
the secrets I've been blowing into it; it has heard a lot of queer
things in its time, but it's an innocent-minded flute for all that,
and I'm afraid that what I've told it to-night is a point beyond what
it's prepared to go."
"I take it, it knows a damned deal too much," growled I.
He looked at me sharply for an instant, rose, whistled a bar or two
of "Like Hermit Poor," reached down a couple of clay pipes from the
shelf, filled one for himself, and gravely handed the other with the
tobacco to me.
"Beyond what it is prepared to go," he echoed quietly, sinking back
in his chair and puffing at the pipe. "It's a nice point that we
have been discussing together, my flute and I, and I won't say but
that I've got the worst of it. By the way, what do you mean to do
now that you have a fresh start?"
Now I had not tasted tobacco for over four months, and its effect
upon my wits was surprising. It seemed to oil my thoughts till they
worked without a hitch, and I saw my plan of action marked out quite
plainly before me.
"Do you want to know the first step of all?" I asked.
"To be sure; the first step at any rate determines the direction."
"Well then," said I, very steadily, and staring into his face,
"the first step of all is that I am going to kill you."
"H'm," said he after a bit, and I declare that not so much as an
eyelash of the man shook, "I thought as much. I guessed _that_ when
you came into the room. And what next?"
Public-domain text, read in full here on John Shaqi.
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