World War, 1914-1918; World War, 1914-1918 -- Great Britain
I wrote, as we all wrote, fast and furiously, to get down something of
enormous history, word-pictures of things seen, heroic anecdotes, the
underlying meaning of this new slaughter. There was never time to think
out a sentence or a phrase, to touch up a clumsy paragraph, to go back
on a false start, to annihilate a vulgar adjective, to put a touch
of style into one's narrative. One wrote instinctively, blindly,
feverishly... And downstairs were the censors, sending up messages by
orderlies to say “half-time,” or “ten minutes more,” and cutting
out sometimes the things one wanted most to say, modifying a direct
statement of fact into a vague surmise, taking away the honor due to
the heroic men who had fought and died to-day... Who would be a war
correspondent, or a censor?
So it happened day by day, for five months at a stretch, when big
battles were in progress. It was not an easy life. There were times when
I was so physically and mentally exhausted that I could hardly rouse
myself to a new day's effort. There were times when I was faint and sick
and weak; and my colleagues were like me. But we struggled on to tell
the daily history of the war and the public cursed us because we did not
tell more, or sneered at us because they thought we were “spoon-fed” by
G. H. Q.--who never gave us any news and who were far from our way of
life, except when they thwarted us, by petty restrictions and foolish
rules.
VIII
The Commander-in-Chief--Sir John French--received us when we were first
attached to the British armies in the field--a lifetime ago, as it seems
to me now. It was a formal ceremony in the chateau near St.-Omer, which
he used as his own headquarters, with his A. D. C.'s in attendance,
though the main general headquarters were in the town. Our first colonel
gathered us like a shepherd with his flock, counting us twice over
before we passed in. A tall, dark young man, whom I knew afterward to be
Sir Philip Sassoon, received us and chatted pleasantly in a French
salon with folding-doors which shut off an inner room. There were a
few portraits of ladies and gentlemen of France in the days before the
Revolution, like those belonging to that old aristocracy which still
existed, in poverty and pride, in other chateaus in this French
Flanders. There was a bouquet of flowers on the table, giving a sweet
scent to the room, and sunlight streamed through the shutters... I
thought for a moment of the men living in ditches in the salient, under
harassing fire by day and night. Their actions and their encounters with
death were being arranged, without their knowledge, in this sunny little
chateau....
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account