accomplished gentlemen; and, in fact, he sums up by thinking that if we had no other competitors in the race of civilisation than the French, our supremacy on land, is to the full as safe, as our sovereignty over the ocean. Here lie two countries, separated by a slip of sea not much broader than an American river, who have gone on for ages repeating these and similar puerilities, without the most remote prospect of mutual explanation and mutual good-will. “I hate prejudice, I hate the French,” said poor Charles Matthews, in one of his inimitable representations, and really the expression was no bad summary of an Englishman's faith. On the other hand, to hate and detest the English is the _sine qua non_ of French nationality, and to concede to them any rank in literature, morals, or military greatness, is to derogate from the claims of his own country. Now the question is, are the reproaches on either side absolutely just? They are not. Secondly, if they be unfair, how comes it that two people pre-eminently gifted with intelligence and information, should not have come to a better understanding, and that many a long year ago? Simply from this plain fact, that the opinions of the press have weighed against those of individuals, and that the published satires on both sides have had a greater currency and a greater credit than the calm judgment of the few. The leading journals in Paris and in London have pelted each other mercilessly for many a year. One might forgive this, were the attacks suggested by such topics as stimulate and strengthen national feeling; but no, the controversy extends to every thing, and, worse than all, is carried on with more bitterness of spirit, than depth of information. The reviewer “par excellence” of our own country makes a yearly incursion into French literature, as an Indian would do into his hunting-ground. Resolved to carry death and carnage on every side, he arms himself for the chase, and whets his appetite for slaughter by the last “_bonne bouche_” of the day. We then have some half introductory pages of eloquent exordium on the evil tendency of French literature, and the contamination of those unsettled opinions in politics, religion, and morals, so copiously spread through the pages of every French writer. The revolution of 1797 is adduced for the hundredth time as the origin of these evils; and all the crime and bloodshed of that frightful period is denounced as but the first step of the iniquity which has reached its pinnacle, in the novels of Paul de Kock. To believe the reviewer, French literature consists in the productions of this writer, the works of George Sand, Balzac, Frédéric Soulié, and a few others of equal note and mark. According to him, intrigue, seduction, and adultery, are the staple of French romance: the whole interest of every novel turning on the undiscovered turpitude of domestic life; and the great rivalry between witters, being, to try which can invent a new