If Bulwer be a baronet; if Dickens' bed-room be papered with
bank-debentures; then do I proclaim it loudly before the world, Bernard
Cavanagh is an injured man: you are either absurd in one case, or unjust
in the other; take your choice. Ship off Sir Edward to the colonies;
send James to Swan River; let Lady Blessington card wool, or Mrs. Norton
pound oyster-shells; or else we call upon you, give Mr. Cavanagh freedom
of the guild; call him the author of “The Hungry One;” let him be
courted and _fêted_,--you may ask him to dinner with an easy conscience,
and invite him to tea without remorse. Let a Whig-radical borough
solicit him to represent it; place him at the right hand of Lord John;
let his picture be exhibited in the print-shops, and let the cut of his
coat and the tie of his cravat be so much in vogue, that bang-ups _à la_
Barney shall be the only things seen in Bond-street: one course or the
other you must take. If the mountain will not go to Mahomet, Mahomet
must go to the mountain: or in other words, if Bulwer descend not to
Barney, Barney must mount up to Bulwer. It is absurd, it is worse than
absurd, to pretend that he who so thoroughly sympathises with his hero,
as to embody him in his own thoughts and acts, his look, his dress, and
his demeanour, that he, I say, who so penetrated with the impersonation
of a part, finds the pen too weak, and the press too slow, to picture
forth his vivid creations, should be less an object of praise, of
honour, and distinction, than the indolent denizen of some
drawing-room, who, in slippered ease, dictates his shadowy and imperfect
conceptions--visions of what he never felt, dreamy representations of
unreality.
“The poet,” as the word implies, is the maker or the creator; and
however little of the higher attributes of what the world esteems as
poetry the character would seem to possess, he who invents a personage,
the conformity of whose traits to the rule of life is acknowledged for
its truth, he, I say, is a poet. Thus, there is poetry in Sancho Panza,
Falstaff, Dugald Dalgetty, and a hundred other similar impersonations;
and why not in Bernard Cavanagh?
Public-domain text, read in full here on John Shaqi.
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