Lord Chesterfield once remarked that a thoroughly vulgar man could not
speak the most common-place word, nor perform the most ordinary act,
without imparting to the one and the other a portion of his own inborn
vulgarity. And exactly so is it with the Yankees; not a question can
arise, no matter how great its importance, nor how trivial its bearings,
upon which, the moment they express an opinion, they do not completely
invest with their own native coarseness, insolence, and vulgarity. The
boundary question was made a matter of violent invective and ruffian
abuse; the right of search was treated with the same powers of ribaldry
towards England; and now we have these amiable and enlightened citizens
defending the wholesale piracy of British authors, not on the plausible
but unjust pretext of the benefit to be derived from an extended
acquaintance with English literature; but, only conceive! because, if
“English authors were invested with any control over the republication
of their own books, it would be no longer possible for American editors
to alter and adapt them as they do now to the American taste.” However
incredible this may seem, the passage formed part of a document actually
submitted to congress, and favourably received by that body. This is not
the place for me to dwell on the unprincipled usurpation by which men
who have contributed nothing to the production of a work, assume
the power of reaping its benefits, and profiting by its success. The
wholesale robbery of English authors has been of late well and ably
exposed. The gifted and accomplished author of “Darnley” and “The Gipsy”
has devoted his time and his talents to the subject; and although the
world at large have few sympathies with the wrongs of those who live to
please them, yet the day is not distant when the rights of a large and
influential body, who stamp the age with the image of their own minds,
can be no longer neglected, and the security of literary property
must become at least as great as of mining scrip, or the shares in a
rail-road.
Public-domain text, read in full here on John Shaqi.
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