American essays -- 19th century; American fiction -- 19th century; American poetry -- 19th century; Short stories, American
The popular preacher sat in his study before a glowing grate, and a
satisfied smile stole over his features, as he remembered his sermon
of that morning. He had struck strong blows at sin; relating to his
breathless congregation in plain and burning words, tales of the
wickedness, debauchery, drunkenness and depravity that was going on in
their very midst.
Following the prominent example of a certain pureminded and original
servant of the Lord, he had gone down himself among the lowest haunts
of vice and iniquity, and there sketched in his mind those flaming and
accusive portraits that he had painted before the astonished eyes of
his congregation, with a broad brush and vivid colors. He had heard
blasphemies from lips that were once as pure as his sisters'; he had
stood in the midst of unbridled vice, where wine flowed like water and
amidst songs, curses, laughing and revelry, the chink of money, earned
by dripping hearts' blood, could be heard as it fell into the coffers
of the devil. Oh, he had astonished his flock! He had hurled at them
fiery words of blame that these things were allowed to exist. It had
been a new departure for him, but he expected grand results. And now
he sat by his anthracite fire, and thought over the success of his
labors, and smiled with satisfaction. The latch of his study door
clicked and a being entered. He was grizzly, rum-soaked, dirty,
ragged, disreputable, blear-eyed and of uncertain step. Once, he might
have been a man.
Across his forehead stretched a long strip of dingy court plaster; on
the bridge of his nose an unhealed wound showed scarlet against the
milder red of his face. He brought with him an odor of
disrespectability, rum and unsanctification.
The preacher rose; a slight distension visible in his delicate
nostril; a little shiver of repulsion rippling through his
broadcloth-vestured figure. "What is it, my good man?" he asked.
* * * * *
The being spoke, and the preacher still standing, followed him through
the husky labyrinth of his speech.
"Don't yer know me? I lives in 'Hell's Delight.' I knows you. You come
down, you did, and wants ter take in ther sights. You asks Tony, the
Dago, fer a guide and he sends yer to Creepy Jake. That's me. I takes
yer through the dives, one and all. I knows yer a preacher from the
way yer did. Yer buys the wine like a gent, though--like a real, high
roller gent; anybody would 'a took yer fer a gent."
"Excuse me," said the preacher, "that wound on your forehead--the
blood seems to be dripping on those engravings--allow me--"
Public-domain text, read in full here on John Shaqi.
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