American essays -- 19th century; American fiction -- 19th century; American poetry -- 19th century; Short stories, American
The groom-elect brought the ancient lineage of the Van Winklers and a
position at the top notch of society for his portion. The bride
brought a beauty that was flawless, and five million dollars. The
arrangement had been made in a businesslike manner. There had been no
question of love. He had been courteous, and politely attentive, and
she had acquiesced listlessly. They had first met at a fashionable
summer resort. The family of the Van Winklers and the money of the
Vances were about to unite.
The wedding was to be at high noon.
Pelham Van Winkler had had a fire built in the ancient tiled fireplace
of one of his rooms, although the weather was warm. He sat on the edge
of a writing table, and tossed handfuls of square-shaped letters, some
tied with ribbons, into the fire. He smiled a little ironically as
they flamed up, or as here and there among them he would find a
withered flower, a scented glove or a lock of beribboned hair.
The last sacrifice to the flames was a dried and pressed cluster of
blue gentians.
Van Winkler sighed, and the smile left his face. He recalled the
twilight scene among the Alps mountains, where he was wandering with
three or four companions on a summer tour, gay and careless, and
dressed in the picturesque garb of chamois hunters. He recalled the
picture of a lovely peasant girl with eyes that held him with a charm
of power, crossing the mountain road, and pausing for a moment to toss
him the bunch of gentian flowers. Had he not been a Van Winkler and
owed a duty to the name, he would have sought her out and married her,
for her image had never left his eyes or his heart since that twilight
eve. But society and the family name claimed him, and today, at high
noon, he was to marry Miss Vance, the daughter of the millionaire iron
founder.
Pelham Van Winkler tossed the bunch of blue gentians into the fire and
rang for his valet.
* * * * *
Miss Augusta Vance had flown from the irritating presence of fussy
female friends and hysterical relatives to her boudoir for a few
moments' quiet. She had no letters to burn; no past to bury. Her
mother was in an ecstasy of delight, for the family millions had
brought them places in the front row of Vanity Fair.
Public-domain text, read in full here on John Shaqi.
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