American essays -- 19th century; American fiction -- 19th century; American poetry -- 19th century; Short stories, American
A chilly wind was blowing, and a cold, drizzling rain falling, and one
of the shivering Egyptians riding a camel bethought him of his sunny
native home and said to one of his countrymen, "Bedad, and Oi wish Oi
was in Donnegan's joint on T'irteenth Street long enough to put about
half a point of the craythur under me shirt," and the sad-eyed
Oriental at his left replied, "Py Cott, dot cold vint a man's pack
sdrikes like der teyfel, aindt it?"
The Mr. Bailey of this show is not, as some people think, Mr. George
Bailey of the _Dallas News_. Mr. George Bailey has nothing to do with
the circus, except to write their bill posters.
At 1 o'clock the doors of the Ethnological Congress were thrown open,
and the surging crowd went down into its pants pocket and drew forth
the price. The performance in the circus tent began at 2.
The animal exhibit was first-class, and many of the boys who had had
the d.t.'s recognized some old friends. In the center of the tent was
an international bargain counter on which were displayed families of
Hindus, Singalese dancers, Fiji Islanders, Ratmaliatmas, Samoans, etc.
The Post Man approached an intelligent-looking Samoan and said:
"Lovely and sad-hearted exile from the wave-kissed beach of Pacific's
coral-stranded isle, dost thou not pine for thy beloved far-off home?"
The large Samoan cast a wistful glance at his questioner and said in
his sonorous native tongue: "Cut it short, Cully. Yer can't
razzle-dazzle me. Get a movelet on your joblots, or I'll give yer a
wipe wid dis property battle-axe. See?"
This show has the distinction of carrying the most remarkable dwarf in
the world. The owners offer a considerable reward for his equal. He is
the largest dwarf now before the public, being nearly six feet in
height.
* * * * *
The pious and stately man who takes the children to see the animals
was very much in evidence. One of them, very sour-looking, with his
coat buttoned up high, said to a small boy he was leading by the hand:
"That animal you see, Willie, is the leopard, of which, as you know
the Good Book says, 'he cannot change his spots.'"
"But he can, though, papa," said Willie. "A minute ago he was way over
in that corner of the cage, and now he's up here in front."
"Do not be sacrilegious, my son," said the sour-looking man. "Come,
let us go into the tent where Mademoiselle Meers is riding eight
horses while in her famous Trilby pose. I wish you to study that noble
animal, the horse."
Another starchy-looking man, with a plug hat and white tie, had four
or five children with him. All paused a moment in the animal tent, and
he said rapidly: "My dear children, these are lions, tigers, monkeys,
elephants, hippopotamuses and camels. You are all familiar with them
from the pictures in your story books. Let us now go into the other
tent and view the human form, the noblest work of God, as Mademoiselle
Matthews does her act upon the flying trapeze."
Public-domain text, read in full here on John Shaqi.
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