American essays -- 19th century; American fiction -- 19th century; American poetry -- 19th century; Short stories, American
In the circus tent there were three performances taking place in as
many rings at once. The acrobatic acts, tumbling and balancing were
good. The "refined contortion act" by Miss Maude Allington and Mr. H.
Wentworth was a revelation. Ladies and gentlemen who had heretofore
regarded the contortion act as something low and vulgar were surprised
and delighted with delicacy, tact and exquisite diplomatic finesse
with which these thorough artists tied their legs behind their necks
and did the split.
"Europe's greatest rider," Mr. William Wallett, was fine, and divided
honors with Rider Haggard, the assistant author of the programme and
show bills.
The ladies who were advertised to ride bareback more than fulfilled
their promised feats. They were barebacked, and also bare--that is,
were dressed something like surf bathers in Galveston.
Evetta, the only lady clown on earth, came into the ring and caused
roars of laughter by putting her hands in her bloomer pockets and
standing on one foot. She then did the excruciatingly funny thing of
sticking out her tongue at the crowd. Then, after convulsing the
audience by standing on the other foot, she retired. For that tired
feeling, see Evetta, the only lady clown.
* * * * *
A man who had evidently come up the street on the saloon side went
into the side show and seemed fascinated with the tattooed man from
Borneo, who exhibited upon his person a great variety of ornamental
designs, such as roses, landscapes, ballet girls, ships, etc. "Ladies
'n gent'l'men," he said, "come 'n shee zhis great phenomenon. Always
wanted see livin' picshers. Zis fus' livin' picsher ever shee. Set 'em
up all round; z'my treat."
The tattooed man leaned down and hissed in a low tone: "Say, stop dat
song and dance and git a move on you, Cully, or I'll tump you one on
de smeller. See?" =
* * * * *
It must be said of Barnum and Bailey's show that it is orderly and
well conducted. The gang of swindlers, toughs and confidence men who
generally follow circuses are not allowed to annoy the crowd. The
tents are large and the accommodations good. Their immense business is
conducted with perfect system and each man in the aggregation fills
his place in producing the harmonious working of the whole.
* * * * *
The performance itself was only the average circus performance, with a
great deal that was neither new nor remarkable, but with a feature
here and there that was far above the ordinary even in that line. The
trouble is in attempting to do too much. Had the programme been
executed in the old style, in one ring, it might have been too long;
but it would have impressed the public far more than when distributed
among three rings. The spectator becomes bewildered and catches a good
thing only now and then, while he misses possibly two or three other
brilliant acts. There could have been no complaint for want of
variety. There was a little of everything and all done at least with
the usual skill of the circus performer.
Public-domain text, read in full here on John Shaqi.
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