American fiction -- 20th century; Short stories, American -- Periodicals
Skipworth Cary rose to his feet. The tears for his friend were still wet
upon his lashes. Stooping, he took Lady Sherwood's hands in his and
raised them to his lips. "As long as I live, I shall never forget," he
said. "And others of us have seen it too in other ways--be sure America
will never forget, either."
She looked up at his untouched youth out of her beautiful sad eyes, the
exalted light still shining through her tears. "Yes," she said, "you see
it was--I don't know exactly how to put it--but it was England to
America."
"FOR THEY KNOW NOT WHAT THEY DO"
BY WILBUR DANIEL STEELE
From _Pictorial Review_
When Christopher Kain told me his story, sitting late in his
dressing-room at the Philharmonic I felt that I ought to say something,
but nothing in the world seemed adequate. It was one of those times when
words have no weight: mine sounded like a fly buzzing in the tomb of
kings. And after all, he did not hear me; I could tell that by the look
on his face as he sat there staring into the light, the lank, dark hair
framing his waxen brow, his shoulders hanging forward, his lean, strong,
sentient fingers wrapped around the brown neck of "Ugo," the 'cello,
tightly.
Agnes Kain was a lady, as a lady was before the light of that poor worn
word went out. Quiet, reserved, gracious, continent, bearing in face and
form the fragile beauty of a rose-petal come to its fading on a windless
ledge, she moved down the years with the stedfast sweetness of the
gentlewoman--gentle, and a woman.
They knew little about her in the city, where she had come with her son.
They did not need to. Looking into her eyes, into the transparent soul
behind them they could ask no other credential for the name she bore and
the lavender she wore for the husband of whom she never spoke.
She spoke of him, indeed, but that was in privacy, and to her son. As
Christopher grew through boyhood, she watched him; in her enveloping
eagerness she forestalled the hour when he would have asked, and told
him about his father, Daniel Kain.
It gave them the added bond of secret-sharers. The tale grew as the boy
grew. Each night when Christopher crept into his mother's bed for the
quiet hour of her voice, it was as if he crept in to another world, the
wind-blown, sky-encompassed kingdom of the Kains, Daniel, his father,
and Maynard, _his_ father, another Maynard before _him_, and all the
Kains--and the Hill and the House, the Willow Wood, the Moor Under the
Cloud, the Beach where the gray seas pounded, the boundless Marsh, the
Lilac hedge standing against the stars.
Public-domain text, read in full here on John Shaqi.
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