American fiction -- 20th century; Short stories, American -- Periodicals
Bruised, sullen, moved by some deep-lying instinct of the clan, his eyes
left them and sought the wall beyond, where there were those who would
not forget him, come what might, blood of his blood and mind of his own
queer mind. And there among the shadowed faces he searched for one in
vain. As if that candle-lit tableau, somehow holy and somehow
abominable, were not for the eyes of one of them, the face of Daniel,
the wedded husband, had been turned to the wall.
Here was something definite, something Christopher could take hold of,
and something that he would not have.
His mother seemed not to have known he was near till he flung the door
back and came stalking into the light with the rusty bread-knife in his
hand. One would not have imagined there were blood enough left in her
wasted heart, but her face went crimson when she lifted it and saw him.
It brought him up short--the blush, where he had looked for fright. It
shocked him, and, shocking him more than by a thousand laboured words of
explanation, it opened a window in his disordered brain. He stood
gawking with the effort of thought, hardly conscious of his mother's
cry:
"Christopher, I never meant you to know!"
He kept on staring at the ashen face between the pillows, long (as his
own was long), sensitive, worn; and at the 'cello keeping incorruptible
vigil over its dead. And then slowly his eyes went down to his own left
hand, to which that same old wine-brown creature had come home from the
first with a curious sense of fitness and authority and right.
"Who is this man?"
"Don't look at me so! Don't, Chris!"
But he did look at her. Preoccupied as he was, he was appalled at sight
of the damage the half-dozen of days had done. She had been so much the
lady, so perfectly the gentlewoman. To no one had the outward gesture
and symbol of purity been more precious. No whisper had ever breathed
against her. If there had been secrets behind her, they had been dead;
if a skeleton, the closet had been closed. And now, looking down on her,
he was not only appalled, he was a little sickened, as one might be to
find squalor and decay creeping into a familiar and once immaculate
room.
"Who is this man?" he repeated.
"He grew up with me." She half raised herself on her knees in the
eagerness of her appeal. "We were boy and girl together at home in
Maryland. We were meant for each other, Chris. We were always to
marry--always, Chris. And when I went away, and when I married
your--when I married Daniel Kain, _he_ hunted and he searched and he
found me here. He was with me, he stood by me through that awful
year--and--that was how it happened. I tell you, Christopher, darling,
we were meant for each other, John Sanderson and I. He loved me more
than poor Daniel ever did or could, loved me enough to throw away a life
of promise, just to hang on here after every one else was gone, alone
with his 'cello and is one little memory. And I loved him enough
to--to--_Christopher, don't look at me so!"_
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account