American fiction -- 20th century; Short stories, American -- Periodicals
The day, as often happens after a storm, was full of blinding sunlight.
The glare of the sun upon the snow was almost unbearable. I kept my eyes
all but closed but there was so much beauty abroad in the land that I
could not bear to close them altogether. The snow clung to twigs and to
fences and to wires, and a thousand flames glinted from every crystal
when the sun struck down upon the drifts. The pine wood upon the eastern
slope of Rayborn Hill was a checkerboard of rich colour. Green and blue
and black and white, indescribably brilliant. When we crossed the bridge
at the foot of the hill we could hear the brook playing beneath the ice
that sheathed it. On the white pages of the snow wild things had writ
here and there the fine-traced tale of their morning's adventuring. We
saw once where a fox had pinned a big snowshoe rabbit in a drift.
Hazen talked much of that child of his on the homeward way. I said
little. From the top of the Rayborn Hill we sighted his house and he
laid the whip along the mare and we went down that last long descent at
a speed that left me breathless. I shut my eyes and huddled low in the
robes for protection against the bitter wind, and I did not open them
again till we turned into Hazen's barnyard, ploughing through the
unpacked snow.
When we stopped Hazen laughed.
"Ha!" he said. "Now, come in, man, and warm yourself and see the baby! A
fine boy!"
He was ahead of me at the door; I went in upon his heels. We came into
the kitchen together.
Hazen's kitchen was also living-room and bedroom in the cold of winter.
The arrangement saved firewood. There was a bed against the wall
opposite the door. As we came in a woman got up stiffly from this bed
and I saw that this woman was Hazen's wife. But there was a change in
her. She was bleak as cold iron and she was somehow strong.
Hazen rasped at this woman impatiently: "Well, I'm home! Where is the
boy?"
She looked at him and her lips moved soundlessly. She closed them,
opened them again. This time she was able to speak.
"The boy?" she said to Hazen. "The boy is dead!"
The dim-lit kitchen was very quiet for a little time. I felt myself
breathe deeply, almost with relief. The thing for which I had waited--it
had come. And I looked at Hazen Kinch.
He had always been a little thin man. He was shrunken now and very white
and very still. Only his face twitched. A muscle in one cheek jerked and
jerked and jerked at his mouth. It was as though he controlled a desire
to smile. That jerking, suppressed smile upon his white and tortured
countenance was terrible. I could see the blood drain down from his
forehead, down from his cheeks. He became white as death itself.
After a little he tried to speak. I do not know what he meant to say.
But what he did was to repeat--as though he had not heard her words--the
question which he had flung at her in the beginning. He said huskily:
"Where is the boy?"
Public-domain text, read in full here on John Shaqi.
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