American fiction -- 20th century; Short stories, American -- Periodicals
There was no taunt that could have hurt Milly more deeply. She looked up
at him pleadingly, when an incident, small but important, as many small
incidents are, occurred. Two markedly elegant young women approached and
passed, perfuming the air. They bowed and smiled at Delanoy. He swept
off his hat with a gesture nicely combining hauteur and suavity. In the
light from the apartment-house doorway he looked for the first time that
evening as she had seen him on the stage.
“Evelyn’s looking all to the good to-night,” he said gazing after the
two young women with a careless appraisal.
“You don’t mean Evelyn Beverly, of the Follies, do you?”
“Sure,” he replied, rather too quickly; “old friend of mine. She and I
was dancing up here in Jack’s studio last night. Come on. Don’t pretend
you’ve never been out after dark before. That kind of bluff makes me
sick.”
She felt a desperate necessity not to displease him, this godlike being,
so handsome as he stood frowning down at her. And she would die rather
than let him think her less endowed with insouciance than Evelyn
Beverly. Meekly, with her lips parted childishly and her flower-blue
eyes very wide, she followed him to the elevator.
* * * * *
In spite of Alyse’s contempt for coincidence, it does happen in life.
For instance, there was the sprig of lilac in the buttonhole of the
Negro elevator boy. As Milly stepped out of the elevator this bit of
flower, stuck so casually in a buttonhole, sent a sort of message to her
brain. On the supper table at home that night there had been a sprig or
two from the bush in the back yard. Her mother had always been foolish
about that bush, coaxing it, feeding it, ever since Milly could
remember. And now the perfume of lilac acted like a reagent in Milly’s
subconscious mind. As she watched Dion Delanoy searching his pockets for
his key, bending over the keyhole, it was as if her vision for the first
time that evening was quite clear.
And nothing can be more merciless than a young girl’s scrutiny. Milly
saw the ignoble back of his head, his hair sleeked back with pomade, a
slight sprinkling of dandruff on his coat collar, his commonplace hand,
not too clean. He smelled slightly of the barber shop and of toilet
water. She disliked his necktie.
She was kept waiting only a few seconds, but in this interval a romantic
hero died. She had a sudden, furious distaste for this cheap stranger,
and her heart ached too. She wanted dreadfully to be at home. But she
felt helpless; she couldn’t think what to do next or how to get away.
Delano had at last got the door open. He opened it, turned to her.
And at that instant behind a door at the end of the short hall a woman
laughed low and happily.
“Why,” exclaimed Milly, “that sounds exactly like Aunt Jude!”
* * * * *
Public-domain text, read in full here on John Shaqi.
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