American fiction -- 20th century; Short stories, American -- Periodicals
They did indeed, forming a broad, tangled breastwork of honeysuckle and
rambler roses valued by Miss Martha for being comely to the view in
blooming time and all the year round an impregnable defence against boys
and other animals. Mrs. Shields, craning slightly to peer over it,
inspected the adjoining territory with her naïvely open curiosity; she
gave an exclamation. “For Pete’s sake! Didn’t you tell me that’s where
the preacher lives?”
“Doctor Gowdy. Yes,” said Miss Martha, a little uncomfortable.
“Keeps it lovely, don’t he? Just like this side!”
Miss Martha perceived that this was to be taken in an ironic sense;
making every allowance for the other’s idiosyncrasies of speech and
manner, it was impossible that she could be in earnest. Even the most
stalwart members of his congregation had been overheard to express
themselves unfavourably about Doctor Gowdy’s yard. “Well--a clergyman,
you know--he’s so busy. Besides, one really ought not to expect him----
And Mrs. Gowdy---- They have quite a family. It’s almost impossible for
her to keep a servant. Even coloured----”
“They got a coon in the kitchen now. I can see her,” said Mrs. Shields.
“Er--yes--but often there isn’t anybody. It makes a great deal of work
for poor Mrs. Gowdy. She can’t see to everything outside as well as in,”
said Miss Wilcox, nervously, conscious that her explanations amounted to
an apology; it annoyed her. And now the coon in the kitchen unwittingly
added to the embarrassments of the situation by shoving up the
window-screen and flinging an over-ripe tomato in the general direction
of the ministerial garbage can; it fell short, spattering seeds and
pulp; the coon--she was a strapping, coffee-coloured slattern--regarded
it absently a moment while she wrung out a leprous-looking rag, sent a
sharp glance toward the audience on the other side of the fence, and
slammed down the screen, slouching back to her labours at a sink full of
dishes.
“Mrs. Gowdy simply can’t see to everything,” Miss Martha repeated
feebly. She awaited the other’s further comment in something of a panic;
but Mrs. Shields had none to make. Her gaze, as it roved round the
unkempt enclosure, was one of complete detachment. She was turning away
when melodious, preluding chords on the piano sounded from within the
parsonage, and Mrs. Gowdy’s pleasant soprano uplifted in “Angels ever
bright and fair.” She sang with taste and feeling, but Miss Martha
uneasily wished that she had not begun just at this moment; it was
inopportune, somehow.
“That’s some of that music you was scairt I wouldn’t like, huh? Why, it
ain’t so bad!” said Mrs. Shields tolerantly. “Anyway, I never let
nothing the neighbours does worry me much,” she added, glancing again,
perhaps involuntarily, at the Gowdy premises. “Live and let live, I
always say. Oh, say, look what’s coming!”
Public-domain text, read in full here on John Shaqi.
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