American fiction -- 20th century; Short stories, American -- Periodicals
A morning came with a southeast wind. Up to that I had lost almost no
flies, so I started out with little extra tackle. The middle of the
morning found me a mile deep in an alder swamp, bog on one side and
piled-up brush on the other. It was what you would call dirty fishing,
and in half an hour I had lost every fly and leader I had with me.
There was nothing to do but put up my rod and go back. In an effort
to strike higher ground I came into what was new country to me. A
trail led up toward where I judged the blueberry ledges would be, and
climbing for a mile or so I suddenly broke through into a clearing and
a wagon road. A grayish house stood beside the road. A thin spiral of
smoke curled out of the chimney. On a split stake, even with the road,
teetered a sign reading:
HAND MADE TROUT FLIES FOR SALE HERE
I attacked the door without mercy. A moment’s knocking brought the
sound of stirring from within, and the door finally creaked open,
displaying the oddest cut of a little man in a wheel chair. He blinked
at me like some great nocturnal bird, and soon there was an intelligent
wag of the head--more at my clothes than at me.
“Come in. Doan’t gin’rally git lady fishermen. Hearn tell they git ’em
down to the harbour lookin’ jes’ as he-ish as the men.” He rolled his
chair backward from the door, beckoning me to follow. I could hear
him repeating the last of his words under his breath as if by way of
confirmation: “Yes, sir, looking jes’ as he-ish as the men.”
He led me into a room that might have been identified even in the
uttermost corner of the world as having been conceived and delivered in
the State of Maine. An airtight stove centred it, and on its pinnacle
stood a nickel-plated moose at bay. There were half a dozen pulled-in
rugs: fruit pulled in; red, yellow, and purple roses pulled in; a
rooster pulled in; and other things that defied the imagination. The
two window sills were gay with geraniums and begonias. Crayon portraits
panelled the walls, and between each portrait hung a hair wreath.
Fronting the door was a shower of coffin plates, strung together
with a fish line. A large coloured print of a clipper hung over the
mantel, while all about hung trophies of the South Seas--strings of
shells and beads and corals. But the most amazing exhibit was the
feathers: peacock, egret, flamingo, pheasant, turkey, and cock tails,
yellowhammer and bluejay wings, breasts, crests and what not. The work
bench was littered with tiny feathers, partridge and guinea fowl,
and spools of bright silk. He brushed all these aside and reached
underneath to a drawer, bringing out a handful of trout flies. It took
no close scrutiny to tell their exquisite workmanship.
“Pick out what ye want. Swamp back yonder jes’ eats ’em up, doan’t it?”
And he smiled an ingratiating, toothless smile.
Public-domain text, read in full here on John Shaqi.
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