American fiction -- 20th century; Short stories, American -- Periodicals
It was the summer Matilda was twelve. Mathilde Lantier Gessler had come
to Crittenden from Baltimore to see her son once more before she died.
Grandmother Gessler was tall and every inch of her was swarthy. Her
eyes were as black as bottomless water and as imperishable as diamonds.
There was a tuft of hair on her jutting chin, and it was proudly
apparent that her lips had curved once. She came and stayed three days.
Before she left she took Matilda aside.
“_Ma petite_,” she whispered harshly, “I am content that it is the
_père_ you resemble and not that fat _other_.”
“Why?” asked Matilda, perversely delighted at this allusion to her
mother’s size.
“Because, _ma cherie_, it is the dark and slender ones of the earth
that know how to suffer, and yet keep their joy.”
“Oh, Grandma,” exclaimed the child, “you are happy then!”
“Of course,” the old woman assured her gallantly, “and a great number
of tears I might have shed and did not. I laughed sixteen hours out
of the twenty-four and smiled in my sleep the other eight. The dreams
I had under the crimson canopy of that ancient bed across the sea!
But that was before it was decided that I marry Franz Gessler, the
merchant, and make an end in Baltimore.”
“Merchant?” queried Matilda. “Is that why Papa keeps a store?”
Mathilde shrugged her aristocratic old shoulders.
“God punished us. I was young and dark and it made trouble. Franz
Gessler was fat and yellow and he dropped dead of it.”
“Is that why we are so poor and the store smells so awful?”
And then it had seemed to Matilda that her grandmother peered down at
her for the first time. “Ah, yes,” she sighed, stroking the braided
silk of her granddaughter’s hair. “Ah, yes!”
“Tell me more,” begged Matilda. “Tell me everything.”
But the old woman had suddenly grown stubborn or weary. She sat there
and kept quiet about the walled gardens in which she had strolled; the
suitors she had tormented over sundials; the mistake she made that
night the moon shone with such Hellenic tenderness; the tearful morning
they packed her into the eager arms of the old German merchant and
hurried them both off to Baltimore. But she did rouse from her romantic
napping long enough to say:
“_Ma petite fille_, there was a thing or two I had from a woman who
knew how to love beyond bounds and suffer with triumph. One summer
afternoon I saw her at Nohant. There were books on the floor, an
unfinished letter to Flaubert on the writing table, and Dumas sitting
in a corner. She deserted everything to talk to me. Her eyes were
wisdom, her hands were comforting, and her smile contagious. I left,
but before that she gave me these,” and the old woman drew up a
yellowed package from the capacious pocket of her gown.
“They are for you.” And she smiled a wise and curious smile.
The package contained a picture and a book, and very old they both
looked.
“The original,” explained the grandmother, holding up the picture, “was
painted by Delacroix.”
Public-domain text, read in full here on John Shaqi.
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