American fiction -- 20th century; Short stories, American -- Periodicals
“I’m going back to the kitchen with the nigger and bright boy,” he
said. “Go on back to the kitchen, nigger. You go with him, bright
boy.” The little man walked after Nick and Sam, the cook, back into
the kitchen. The door shut after them. The man called Max sat at the
counter opposite George. He didn’t look at George but looked in the
mirror that ran along back of the counter. Henry’s had been made over
from a saloon into a lunch-counter.
“Well, bright boy,” Max said, looking into the mirror, “why don’t you
say something?”
“What’s it all about?”
“Hey, Al,” Max called, “bright boy wants to know what it’s all about.”
“Why don’t you tell him?” Al’s voice came from the kitchen.
“What do you think it’s all about?”
“I don’t know.”
“What do you think?”
Max looked into the mirror all the time he was talking.
“I wouldn’t say.”
“Hey, Al, bright boy says he wouldn’t say what he thinks it’s all
about.”
“I can hear you, all right,” Al said from the kitchen. He had propped
open the slit that dishes passed through into the kitchen with a catsup
bottle. “Listen, bright boy,” he said from the kitchen to George.
“Stand a little further along the bar. You move a little to the left,
Max.” He was like a photographer arranging for a group picture.
“Talk to me, bright boy,” Max said. “What do you think’s going to
happen?”
George did not say anything.
“I’ll tell you,” Max said. “We’re going to kill a Swede. Do you know a
big Swede named Ole Andreson?”
“Yes.”
“He comes here to eat every night, don’t he?”
“Sometimes he comes here.”
“He comes here at six o’clock, don’t he?”
“If he comes.”
“We know all that, bright boy,” Max said. “Talk about something else.
Ever go to the movies?”
“Once in a while.”
“You ought to go to the movies more. The movies are fine for a bright
boy like you.”
“What are you going to kill Ole Andreson for? What did he ever do to
you?”
“He never had a chance to do anything to us. He never even seen us.”
“And he’s only going to see us once,” Al said from the kitchen.
“What are you going to kill him for, then?” George asked.
“We’re killing him for a friend. Just to oblige a friend, bright boy.”
“Shut up,” said Al from the kitchen. “You talk too goddam much.”
“Well, I got to keep bright boy amused. Don’t I, bright boy?”
“You talk too damn much,” Al said. “The nigger and my bright boy are
amused by themselves. I got them tied up like a couple of girl friends
in the convent.”
“I suppose you were in a convent.”
“You never know.”
“You were in a kosher convent. That’s where you were.”
George looked up at the clock.
“If anybody comes in you tell them the cook is off, and if they keep
after it, you tell them you’ll go back and cook yourself. Do you get
that, bright boy?”
“All right,” George said. “What you going to do with us afterward?”
“That’ll depend,” Max said. “That’s one of those things you never know
at the time.”
Public-domain text, read in full here on John Shaqi.
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