Oaths of Allegiance in Colonial New EnglandEvans, Charles
History
Oaths of Allegiance in Colonial New England
Evans, Charles
Oaths; United States -- History -- Colonial period, ca. 1600-1775 -- Sources
Fully a quarter of a century ago, while engaged in making a search for
early printed American publications in the Catalogue of printed books in
the British Museum—a great and monumental work, worthy in its scholarly
completeness of the Government which fostered its publication, and of
inestimable importance and benefit to scholars in every land—the
following entry under the heading “Freeman” seemed to me to warrant more
than passing observation and curiosity which the intervening years have
failed to satisfy:
—The Oath of a Freeman. B. L.
[_London_, 1645?] _s. sh._ 12º. 11,626. aa. (1, 2.)
An analysis of this entry seems to show points of resemblance following
closely the known facts regarding the first work printed in this
country.
The title is the one given by John Childe presumably from the earliest
printed copy in his possession. The abbreviated title, freemen’s oath,
as given by John Winthrop, first appearing in the Code of 1648, which
seems to justify the belief that Winthrop wrote his Journal some years
after the press was established.
The letters B. L. indicate that the printed text is in black-letter.
While there is no evidence of the number and kinds of fonts of type
purchased for the first press by Joseph Glover, there is an itemized
statement of the number and names of the fonts of type for the second
press sent over later by the Society for Propagating the Gospel among
the Indians in New England, for printing the Bible in the Indian
language, and among them is a small font of “blacks,” i.e. black-letter,
which would indicate that a small font of that letter was generally
considered a part of the equipment of a printing-office of the period.
Even if this was not so, on the good authority of Isaiah Thomas, the
type used in printing the Bay Psalm Book, of 1640, was “small bodied
English,” a type commonly used for works in quarto and folio, which
approximates in size to black-letter, but without the ceriphs, or fine
projecting points of that letter. It is not unreasonable to suppose that
a cataloguer might, hastily, consider the thickly inked, heavy
press-work we find in the Bay Psalm Book, under the same conditions in a
somewhat crudely printed sheet, to be black-letter printing.
Public-domain text, read in full here on John Shaqi.
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