English literature -- History and criticism; Historiography; Literature
But this is but one side of Carlyle. There is another as strongly
marked, which is his second note; and that is what he somewhere calls
'his stubborn realism.' The combination of the two is as charming as it
is rare. No one at all acquainted with his writings can fail to remember
his almost excessive love of detail; his lively taste for facts, simply
as facts. Imaginary joys and sorrows may extort from him nothing but
grunts and snorts; but let him only worry out for himself, from that
great dust-heap called 'history,' some undoubted fact of human and
tender interest, and, however small it may be, relating possibly to
some one hardly known, and playing but a small part in the events he is
recording, and he will wax amazingly sentimental, and perhaps shed as
many real tears as Sterne or Dickens do sham ones over their figments.
This realism of Carlyle's gives a great charm to his histories and
biographies. The amount he tells you is something astonishing--no
platitudes, no rigmarole, no common-form, articles which are the staple
of most biography, but, instead of them, all the facts and features
of the case--pedigree, birth, father and mother, brothers and sisters,
education, physiognomy, personal habits, dress, mode of speech; nothing
escapes him. It was a characteristic criticism of his, on one of Miss
Martineau's American books, that the story of the way Daniel Webster
used to stand before the fire with his hands in his pockets was worth
all the politics, philosophy, political economy, and sociology to be
found in other portions of the good lady's writings. Carlyle's eye was
indeed a terrible organ: he saw everything. Emerson, writing to
him, says: 'I think you see as pictures every street, church,
Parliament-house, barracks, baker's shop, mutton-stall, forge, wharf,
and ship, and whatever stands, creeps, rolls, or swims thereabout, and
make all your own.' He crosses over, one rough day, to Dublin; and he
jots down in his diary the personal appearance of some unhappy creatures
he never saw before or expected to see again; how men laughed, cried,
swore, were all of huge interest to Carlyle. Give him a fact, he loaded
you with thanks; propound a theory, you were rewarded with the most
vivid abuse.
Public-domain text, read in full here on John Shaqi.
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