English literature -- History and criticism; Historiography; Literature
'I cannot resist the temptation of contemplating this analogy, which I
think he might have carried farther, very much to the advantage of his
argument. He might have shown that these "hunters, whose game is
man," have many sports analogous to our own. As we drown whelps or
kittens, they amuse themselves now and then with sinking a ship, and
stand round the fields of Blenheim, or the walls of Prague, as we
encircle a cockpit. As we shoot a bird flying, they take a man in the
midst of his business or pleasure, and knock him down with an
apoplexy. Some of them perhaps are virtuosi, and delight in the
operations of an asthma, as a human philosopher in the effects of the
air-pump. Many a merry bout have these frolick beings at the
vicissitudes of an ague, and good sport it is to see a man tumble with
an epilepsy, and revive and tumble again, and all this he knows not
why. The paroxysms of the gout and stone must undoubtedly make high
mirth, especially if the play be a little diversified with the
blunders and puzzles of the blind and deaf. . . . One sport the merry
malice of these beings has found means of enjoying, to which we have
nothing equal or similar. They now and then catch a mortal, proud of
his parts, and flattered either by the submission of those who court
his kindness, or the notice of those who suffer him to court theirs. A
head thus prepared for the reception of false opinions, and the
projection of vain designs, they easily fill with idle notions till,
in time, they make their plaything an author; their first diversion
commonly begins with an ode or an epistle, then rises perhaps to a
political irony, and is at last brought to its height by a treatise of
philosophy. Then begins the poor animal to entangle himself in
sophisms and to flounder in absurdity.'
The author of the philosophical treatise, _A Free Inquiry into the Nature
and Origin of Evil_, did not at all enjoy this 'merry bout' of the
'frolick' Johnson.
The concluding paragraphs of Johnson's Preface to his Dictionary are
historical prose, and if we are anxious to find passages fit to compare
with them in the melancholy roll of their cadences and in their grave
sincerity and manly emotion, we must, I think, take a flying jump from
Dr. Johnson to Dr. Newman.
Public-domain text, read in full here on John Shaqi.
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