Observations on the State of Religion and Literature in SpainBowring, John
Religion
Observations on the State of Religion and Literature in Spain
Bowring, John
Catholic Church -- Spain; Spain -- Description and travel; Spain -- Religion; Spanish literature -- 19th century -- History and criticism
And let those illustrious exiles, the martyrs of truth and freedom, who
have been driven by an ungrateful and cruel tyrant from their homes and
their country, and doomed “to wander through this miserable world,” take
heart; for a brighter and better day is about to dawn upon Spain. I have
expressed a hope, it should rather be a conviction, that this period
cannot linger long. If the extreme of evil brings with it its own
remedy; if human endurance will only support a certain weight of
despotism; if “there is a spirit in man;” if there is a strength in
virtue or in liberty—the intolerable fetters _must_ be broken.
¿Que es esto, Autor eterno
Del triste mundo? tu sublime nombre
Que en el se ultraja á moderar no alcanzas?
—¿ á infelices venganzas
Y sangre y muerte has destinado el hombre?
¿A tantas desventuras
Ningnu termino pones? ¿ó el odioso
Monstruo por siempre triunfará orgulloso?
_Melendez_.
* * * * *
The object, for which the foregoing observations were written, made it
necessary to exclude some particulars, which perhaps deserve record.
A correct idea of the state of learning in Spain might be formed from the
general decline of the public _colegios_ and universities, and the almost
universal ignorance of those to whom the important business of education
is intrusted. At Alcalá de Henares, where there were formerly four or
five thousand students, there are now less than three hundred, and the
number is yearly declining. A similar decay may be observed elsewhere.
I found every thing in a melancholy state of derangement and dilapidation
at Bergara, though this, I believe, is now the only public school which
has been able to maintain itself. The philosophical and mathematical
instruments had been destroyed by rust, or rendered useless by violence,
and every thing connected with instruction appeared conducted as if the
dreadful apprehension that _too much_ wisdom might be communicated, were
constantly present to the _enlightened_ directors.
There are few objects more touching, more humiliating, than those scenes
sacred once to liberty and to literature, and associated with the names
of the noblest and “the wisest of our race;” but now become the
fortresses of ignorance, profligacy and despotism. Who would not sigh
over Cordoba?
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