For the rest of the night everything was dubious. The passengers
gathered in knots on the wet decks, talking in undertones. You could
hear the swash of the becalmed sea along the sides of the ship in the
intervals of the blasts of the fog-horn, which pierced the ear like a
knife; it was only when that demon was raging that the other sounds
which had become familiar on board the ship were not more acute—the hum
of the forced draft, the asthma of escaping steam, the voices on the
bridge, and the whirr of the bell in the engine-room. The bell had been
silent since it rang out, “Turn ahead, full speed!” when the pilot was
picked up by the station boat of Sandy Hook, but now the hand which
recorded its messages was constantly going from side to side of the
clock-faced dial. At every stroke a fresh apprehension thrilled along
the deck and imaginary shapes loomed up in the fog, the rumors were
wild and contradictory, no sooner spoken than discredited. See that
blur of yellow ahead! That must be a light—Queenstown, perhaps, and the
tender coming alongside. Yes, the bell has rung “Stop her!” Half of the
passengers can see the blur of yellow, half are not quite certain—all
are mistaken: the light burns only in their imaginations. Then they see
the sails of a ship blotted on the fog; they hear bells and whistles;
they listen for confirmation from the bridge. Little wonder that they
are confused: the engine-room bell tells a different story every few
minutes—now “Ahead!” then “Astern!” now “Full speed!” then “Dead slow!”
Again the engine stops altogether; in a minute or two the churnings of
the screw, sweeping toward the bow instead of in the wake, show that
the ship is backing, and the fear of reefs, of collision, of running
ashore, deepens the silence of the anxious groups along the rail.
The escaping steam roars out of the copper-pipes riveted to the
funnel; louder and shriller the whistle drives its warning through the
obscurity which surrounds us. Then we move “Ahead!” once more, and at
midnight all hope of seeing Queenstown is abandoned. The passengers
retreat to their cabins, and the decks are left to the sailors and the
officers, who come in and out of the ghostly atmosphere—their oil-skins
dripping with moisture and shining momentarily in the lamp-light. Never
for an instant does the captain leave the bridge; his cigar feeds its
bluish wreaths to the fog; he watches the glowing face of the compass,
and listens to the cry of the men who are working the sounding machine.
So the great ship creeps up the Channel. Once in a while an answering
blast is borne over the water, a bell is heard tolling afar, but never
a thing is in sight. It is a weary night for the captain, but in the
morning all is clear; we are off Holyhead; the pulse of the engine has
recovered its regularity; the faces of the passengers are beaming, and
Snowdon is visible over the starboard bow, piled up in white vapor.
Public-domain text, read in full here on John Shaqi.
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