Ocean to Ocean on Horseback: Being the Story of a Tour in the Saddle from the Atlantic to the Pacific; with Especial Reference to the Early History and Development of Cities and Towns Along the Route; and Regions Traversed Beyond the Mississippi; Together with Incidents, Anecdotes and Adventures of the JourneyGlazier, Willard W.
History
Ocean to Ocean on Horseback: Being the Story of a Tour in the Saddle from the Atlantic to the Pacific; with Especial Reference to the Early History and Development of Cities and Towns Along the Route; and Regions Traversed Beyond the Mississippi; Together with Incidents, Anecdotes and Adventures of the Journey
Glazier, Willard W.
United States -- Description and travel
In addition to its natural beauties, the Common has two fine pieces of
statuary, the Soldiers' and Sailors' Monument on Flagstaff Hill, and the
Brener Fountain. The former was erected in 1871 at a cost of $75,000. It
is a majestic granite shaft in the Roman-Doric style, seventy feet high,
surmounted by a bronze figure of the Genius of America, eleven feet in
height. At the base of the shaft are grouped alto-relievo figures
representing the North, the South, the East, and the West. Four other
bronze figures, representing Peace, History, the Army and the Navy,
stand on projecting pedestals around the foundation. The monument, which
was executed by Martin Milmore, was Boston's tribute to her fallen
heroes of the Civil War. The Brener Fountain is a beautiful bronze
casting designed by Lienard, of Paris, with bronze figures representing
Neptune, Amphitrite, Acis, and Galatea grouped round the base. The late
Gardner Brener presented it to the city in 1868.
To forget the Old Elm in describing the Common, would be rank disrespect
to that hoary "oldest inhabitant," albeit nothing remains of it now but
its memory. An iron fence surrounds the spot where once it stood, and a
vigorous young sapling has providentially sprung up in its place, as a
successor. The Old Elm was ancient in 1630, when the town was settled,
and was one of its most interesting landmarks up to 1876, when it was
blown down.
The Public Garden, from which the beautiful Commonwealth avenue begins,
the Back-Bay Park, which cost a million of dollars, and the Arnold
Arboretum, where Harvard University has planted and maintained a fine
horticultural collection for the pleasure of the public, are lovely
spots on whose beauty the mind would fain linger, but whose descriptions
must be omitted, for all Boston's splendid public buildings wait in
stately array their share of attention. Nowhere has the skilled
artist-architect been so freely permitted to carry out his designs
unhampered by stupidity and stinginess as in Boston, and the result has
been a collection of public buildings unsurpassed by those of any modern
city. The Boston State House comes first, of course--did not the
"Autocrat of the Breakfast Table" term it, with loving exaggeration, the
"Hub of the Solar System?" From Beacon Hill, the most prominent coign
of vantage which could be selected for it, its gilded dome rises
majestically against the blue sky and imperiously beckons the visitor to
come and pay his respects to this most venerated of Boston institutions.
The State House stands, at a height of 110 feet, at the junction of
Beacon and Mt. Vernon streets and Hancock avenue, on a lot which
Governor Hancock once used for pasturing his cows, and was erected in
1795, beginning its existence in a blaze of glory, with the corner-stone
laid by Paul Revere, then Grand Master of the Masons, and an oration by
Samuel Adams. The building contains Doric Hall, which is approached by a
Public-domain text, read in full here on John Shaqi.
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