Odd craft [complete]Jacobs, W. W. (William Wymark)
General
Odd craft [complete]
Jacobs, W. W. (William Wymark)
England -- Social life and customs -- Fiction; Humorous stories, English; Sailors -- Fiction
“The picture disappears,” said Mr. Silver. “Ah! I see; I see. A ship in
a gale at sea. It is the _North Star;_ it is sinking. The ill-shaped
man sheds tears and loses his head. I cannot discover the name of this
man.”
Mr. Boxer, who had been several times on the point of interrupting,
cleared his throat and endeavoured to look unconcerned.
“The ship sinks,” continued the astrologer, in thrilling tones. “Ah!
what is this? a piece of wreckage with a monkey clinging to it? No,
no-o. The ill-shaped man again. Dear me!”
[Illustration]
His listeners sat spellbound. Only the laboured and intense breathing
of Mr. Boxer broke the silence.
“He is alone on the boundless sea,” pursued the seer; “night falls. Day
breaks, and a canoe propelled by a slender and pretty but dusky maiden
approaches the castaway. She assists him into the canoe and his head
sinks on her lap, as with vigorous strokes of her paddle she propels
the canoe toward a small island fringed with palm trees.”
“Here, look ’ere—” began the overwrought Mr. Boxer.
“_H’sh, h’sh!_” ejaculated the keenly interested Mr. Thompson. “W’y
don’t you keep quiet?”
“The picture fades,” continued the old man. “I see another: a native
wedding. It is the dusky maiden and the man she rescued. Ah! the
wedding is interrupted; a young man, a native, breaks into the group.
He has a long knife in his hand. He springs upon the ill-shaped man and
wounds him in the head.”
Involuntarily Mr. Boxer’s hand went up to his honourable scar, and the
heads of the others swung round to gaze at it. Mrs. Boxer’s face was
terrible in its expression, but Mrs. Gimpson’s bore the look of sad and
patient triumph of one who knew men and could not be surprised at
anything they do.
“The scene vanishes,” resumed the monotonous voice, “and another one
forms. The same man stands on the deck of a small ship. The name on the
stern is the _Peer_—no, _Paris_—no, no, no, _Pearl_. It fades from the
shore where the dusky maiden stands with hands stretched out
imploringly. The ill-shaped man smiles and takes the portrait of the
young and beautiful girl from his pocket.”
“Look ’ere,” said the infuriated Mr. Boxer, “I think we’ve ’ad about
enough of this rubbish. I have—more than enough.”
“I don’t wonder at it,” said his wife, trembling furiously. “You can go
if you like. I’m going to stay and hear all that there is to hear.”
“You sit quiet,” urged the intensely interested Mr. Thompson. “He ain’t
said it’s you. There’s more than one misshaped man in the world, I
s’pose?”
“I see an ocean liner,” said the seer, who had appeared to be in a
trance state during this colloquy. “She is sailing for England from
Australia. I see the name distinctly: the _Marston Towers_. The same
man is on board of her. The ship arrives at London. The scene closes;
another one forms. The ill-shaped man is sitting with a woman with a
beautiful face—not the same as the photograph.”
Public-domain text, read in full here on John Shaqi.
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