Pp. 64, 65, ll. 1086-1109.]--This joyous Chorus strikes a curious note. Of course it forms a good contrast with what succeeds, but how can the Elders take such a serenely happy view of the discovery that Oedipus is a foundling just after they have been alarmed at the exit of Jocasta? It seems as if the last triumphant speech of Oedipus, "fey" and almost touched with megalomania as it was, had carried the feeling of the Chorus with it. P. 66, l. 1122.]--Is there any part in any tragedy so short and yet so effective as that of this Shepherd? P. 75, l. 1264, Like a dead bird.]--The curious word, [Greek: empeplegmenen], seems to be taken from Odyssey xxii. 469, where it is applied to birds caught in a snare. As to the motives of Oedipus, his first blind instinct to kill Jocasta as a thing that polluted the earth; when he saw her already dead, a revulsion came. P. 76, ll. 1305 ff.]--Observe how a climax of physical horror is immediately veiled and made beautiful by lyrical poetry. Sophocles does not, however, carry this plan of simply flooding the scene with sudden beauty nearly so far as Euripides does. See _Hipp._, p. 39; _Trojan Women_, p. 51. P. 83, ll. 1450 ff., Set me to live on the wild hills.]--These lines serve to explain the conception, existing in the poet's own time, of Oedipus as a daemon or ghost haunting Mount Kithairon. P. 86, l. 1520, Creon.]--Amid all Creon's whole-hearted forgiveness of Oedipus and his ready kindness there are one or two lines of his which strike a modern reader as tactless if not harsh. Yet I do not think that Sophocles meant to produce that effect. At the present day it is not in the best manners to moralise over a man who is down, any more than it is the part of a comforter to expound and insist upon his friend's misfortunes. But it looks as if ancient manners expected, and even demanded, both. Cf. the attitude of Theseus to Adrastus in Eur., _Suppliants_.