My timidity when dealing with minor officials strikes me first in my voice. I have any number of witnesses who will sign statements to the effect that my voice changed about twelve years ago, and that in ordinary conversation my tone, if not especially virile, is at least consistent and even. But when, for instance, I give an order at a soda fountain, if the clerk overawes me at all, my voice breaks into a yodel that makes the phrase "Coffee, egg and milk" a pretty snatch of song, but practically worthless as an order. If the soda counter is lined with customers and the clerks so busy tearing up checks and dropping them into the toy banks that they seem to resent any call on their drink-mixing abilities, I might just as well save time and go home and shake up an egg and milk for myself, for I shall not be waited on until every one else has left the counter and they are putting the nets over the caramels for the night. I know that. I've gone through it too many times to be deceived. For there is something about the realization that I must shout out my order ahead of some one else that absolutely inhibits my shouting powers. I will stand against the counter, fingering my ten-cent check and waiting for the clerk to come near enough for me to tell him what I want, while, in the meantime, ten or a dozen people have edged up next to me and given their orders, received their drinks and gone away. Every once in a while I catch a clerk's eye and lean forward murmuring, "Coffee"--but that is as far as I get. Some one else has shoved his way in and shouted, "Coca-Cola," and I draw back to get out of the way of the vichy spray. (Incidentally, the men who push their way in and footfault on their orders always ask for "Coca-Cola." Somehow it seems like painting the lily for them to order a nerve tonic.) I then decide that the thing for me to do is to speak up loud and act brazenly. So I clear my throat, and, placing both hands on the counter, emit what promises to be a perfect bellow: "COFFEE, MEGG AND ILK." This makes just about the impression you'd think it would, both on my neighbors and the clerk, especially as it is delivered in a tone which ranges from a rich barytone to a rather rasping tenor. At this I withdraw and go to the other end of the counter, where I can begin life over again with a clean slate. [Illustration: "Placing both hands on the counter, I emit what promises to be a perfect bellow."]