'Of Genius', in The Occasional Paper, and Preface to The CreationHill, Aaron
Philosophy
'Of Genius', in The Occasional Paper, and Preface to The Creation
Hill, Aaron
Genius; Hebrew poetry -- History and criticism
If the late excellent Mr. Addison, whose Verses abound in Graces,
which can never be too much admir'd, shall be, often, found
liable to an Overflow of his Meaning, by this Dropsical
Wordiness, which we so generally give into, it will serve at the
same time, as a Comfort, and a Warning; and incline us to a
severe Examination of our Writings, when we venture out upon a
World, that will, one time or other, be sure to censure us
impartially; In That Gentleman's Works, whoever looks close, will
discover Thorns on every Branch of his Roses; For Example, we all
hear, with Delight, in his celebrated Letter from Italy, that,
there,
... The Muse so oft her Harp has strung,
That not a Mountain rears its Head unsung.
But, he adds, in the very next Line, that every shady Thicket
too, grows renown'd in Verse; now one can never help remembering,
that Thickets are Births, as it were of Yesterday; the mere
Infancy of Woods! and that the oldest Woods in Italy may be
growing on Foundations of ruin'd Cities, which flourish'd in the
Times he there speaks of; whence it must naturally be inferr'd,
that to say, the Italian Thickets grow renown'd in Roman Verse,
though the Mountains really do so, is to make Use of Words,
without Regard to their Meaning; A Lapse of dangerous
Consequence, because, when the Understanding is once shock'd,
this most rapturous Elevation of the Mind (as when cold Water is
thrown suddenly upon boiling) sinks at once to chilling Flatness,
and is considered as mere Gingle and childish Amusement.
No Man, I believe, has read without Pleasure, his fine and lively
Descriptions of the Nar, Clitumnus, Mincio, and Albula, but the
worst of it is, he winds us so long, in and out, between these
Rivers, that he loses himself in their Maeanders, and brings us,
at last, to a strange Stream indeed, which is 'immortaliz'd in
Song,' and yet 'lost In Oblivion.'
"I look for Streams, immortaliz'd, in Song,
Which lost, and buried in Oblivion lie."
The Thought, in this Place, is very lively and just, but quite
obscur'd by the Redundancy and Wantonness of the Expression. Had
he only said 'lost,' and 'buried,' It might have been urg'd, that
the Rivers were dry'd up, and no longer to be found, in their old
Channels. But, let them be lost, as to Existence, as certainly as
he will, they can never be lost in 'Oblivion,' if they are
'immortaliz'd' in Poetry. 'Immortal' is a favourite Word in this
Gentleman's Writings, and leads him, as most Favourites are apt
to do, into very frequent Errors.
Public-domain text, read in full here on John Shaqi.
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