Of the Decorative Illustration of Books Old and New: 3rd ed. — John Shaqi
Of the Decorative Illustration of Books Old and New: 3rd ed.Crane, Walter
History
Of the Decorative Illustration of Books Old and New: 3rd ed.
Crane, Walter
Book ornamentation -- History; Illumination of books and manuscripts; Illustrated books -- Bibliography; Illustration of books
The method of the illuminators and miniaturists seems always to have been
to draw their figures and ornaments clearly out first with a pen before
colouring.
[Illustration: GERMAN SCHOOL. XVTH CENTURY.
BIBLE, HEINRICH QUENTEL. (COLOGNE, 1480.)]
In the full-coloured miniatures the pen lines are not visible, but in
this MS. they are preserved with the delicate tinted treatment. The
designs I speak of are placed two on a page, occupying it entirely. They
are inclosed in vermilion borders, terminated at each corner with a leaf.
There is a very distinct and graceful feeling about the designs. The same
hand appears to have added on the lower margins of the succeeding text
pages a series of quaint figures--combats of grotesque animals, hunting,
hawking, and fishing scenes, and games and sports, and, finally,
Biblical subjects. Here, again, I think we may detect in the early
illustrators a tendency to escape from the limitations of the book page,
though only a tendency.
A fine ornamental page combining illumination with miniature is given in
the "Epistle of Philippe de Comines to Richard II." at the end of the
fourteenth century. The figures, interesting historically and as examples
of costume, are relieved upon a diapered ground. The text is in double
columns, with square initials, and the page is lightened by open
foliation branching out upon the margin from the straight spiney border
strips, which on the inner side terminate in a dragon.
[Sidenote: THE BEDFORD BOOK OF HOURS.]
As a specimen of early fifteenth century work, both for illuminator,
scribe, and miniaturist, it would be difficult to find a more exquisite
book than the Bedford Hours (Brit. Mus. MS. Add. 18850), dated 1422, said
to be the work of French artists, though produced in England. The
kalendar, which occupies the earlier pages, is remarkable for its small
and very brilliant and purely coloured miniatures set like gems in a very
fine, delicate, light, open, leafy border, bright with burnished gold
trefoil leaves, which are characteristic of French illuminated books of
this period (_see_ Nos. 5 and 6, Appendix).
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