Of the Decorative Illustration of Books Old and New: 3rd ed. — John Shaqi
Of the Decorative Illustration of Books Old and New: 3rd ed.Crane, Walter
History
Of the Decorative Illustration of Books Old and New: 3rd ed.
Crane, Walter
Book ornamentation -- History; Illumination of books and manuscripts; Illustrated books -- Bibliography; Illustration of books
After the beautiful productions of the German, Italian (of which some
reproductions are given here), and French printers, our own William
Caxton's first books seem rather rough, though not without character,
and, at any rate, picturesqueness, if they cannot be quoted as very
accomplished examples of the printer's art. The first book printed in
England is said to be Caxton's "Dictes and Sayings of the Philosophers,"
printed by him at Westminster in 1477.
A noticeable characteristic of the early printed books is the development
of the title page. Whereas the MSS. generally did without one, with the
advent of printing the title page became more and more important, and
even if there were no other illustrations or ornaments in a book, there
was often a woodcut title. Such examples as some here given convey a good
idea of what charming decorative feeling these title page designs
sometimes displayed, and those greatest of designers and book decorators
and illustrators, Albrecht Dürer and Hans Holbein, showed their power and
decorative skill, and sense of the resources of the woodcut, in the
designs made by them for various title pages.
The noble designs of the master craftsman of Nuremberg, Albrecht Dürer,
are well known. His extraordinary vigour of drawing, and sense of its
resources as applied to the woodcut, made him a great force in the
decoration and illustration of books, and many are the splendid designs
from his hand. Three designs from the fine series of the Little Passion
and two of his title pages are given, which show him on the strictly
decorative side. The title dated 1523 may be compared with
that of Oronce Finé (Paris, 1534). There appears to have been a return to
this convoluted knotted kind of ornament at this period. It appears in
Italian MSS. earlier, and may have been derived from Byzantine sources.
[Illustration: GERMAN SCHOOL. XVITH CENTURY.
ALBRECHT DÜRER, "KLEINE PASSION." (NUREMBERG, 1512.)]
[Illustration: GERMAN SCHOOL. XVITH CENTURY. ALBRECHT DÜRER, "KLEINE
PASSION." (NUREMBERG, 1512.)]
[Illustration: GERMAN SCHOOL. XVITH CENTURY.
ALBRECHT DÜRER, "KLEINE PASSION." (NUREMBERG, 1512.)]
[Illustration: GERMAN SCHOOL. XVITH CENTURY.
ALBRECHT DÜRER. (NUREMBERG, HEINRICH STEYNER, 1513.)]
[Illustration: GERMAN SCHOOL. XVITH CENTURY.
DESIGNED BY ALBRECHT DÜRER. (NUREMBERG, 1523.)]
[Sidenote: HANS HOLBEIN.]
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