Mr. Cobden Sanderson has turned from the outside adornment of the book to the inside, and, in association with Mr. Emery Walker, whose technical knowledge and taste was so valuable on the Kelmscott Press, has founded "The Doves Press" at Hammersmith, and has issued books remarkable for the pure severity of their typography, founded mainly upon Jenson. Mr. St. John Hornby also must be named, more particularly for his revival of a very beautiful Italian type founded upon the type of Sweynheim and Pannartz, the first printers in Italy. The Greek type designed by the late Robert Proctor, based on the Alcala fount used in the New Testament of the Complutensian Polyglot Bible of 1514, should be mentioned as the only modern attempt to improve the printing of Greek, with the exception of Mr. Selwyn Image's, which perhaps suffered by being cut very small to suit commercial exigences. Mr. C. R. Ashbee, too, has established a very extensive printery, "The Essex House Press," which he has since transplanted to Chipping Camden. He had the assistance of several of the workers from the Kelmscott Press, and has produced many excellently printed books of late years, such as the Benvenuto Cellini, and including such elaborate productions as Edward VI.'s Prayer Book, with wood-engravings and initials and ornaments as well as the type of his own design. An interesting series of the English poets, also, with frontispieces by various artists, has been issued from this press. P. 218. The death of Aubrey Beardsley since the notice of his work was written must be recorded, and it would seem as if the loss of this extraordinary artist marked the decadence of our modern decadents. A perhaps equally remarkable designer, however, whose work has a certain kinship in some features with Beardsley's, is Mr. James Syme, whose work has not before been noticed in this book. He has a powerful and weird imagination associated with grotesque and satirical design, and considerable skill in the use of line and black and white effect. P. 267. In writing of book illustrators in France, a leading place should be given to M. Boutet de Monvel, whose delicate drawing, tasteful colouring, and sense of decorative effect, combined with abundant resource in variety of costume, and skilful treatment of crowds, mediæval battle scenes, and ceremonial groups are seen to full advantage in his recent "Ste. Jean d'Arc," although no particular relationship between illustration and type is attempted.