So, accordingly, have I set them down--in skeleton in rotation, and in
proper order in black. This (as I said above) is the antique form of the
letters; but in these days there is used a more elegant text, and a
diagonal square is substituted in the middle place for a right square,
so that the lines of the letters are not so much curved; and there are
made certain limbs adjoined and cleft; and there are set one on another
three squares & a half; and spaces are left between two limbs as great
as their width. Letters of this sort also have I set forth on the third
page following; as also capital letters, which are called "versals,"
because they are customarily set at the beginning of a verse; and these
ought to be made one-third higher than the remaining shorter letters in
writing.
[Illustration:
i n m r r u v
w b q x c e t l
s f h k d o p
a z z z g y s]
[Illustration:
a b c d e f g h
i k l m n o p
q r r s s t u v
w x y z z z]
[Illustration:
A B C D E F G H
I K L M N O P R
S T V X Y Z Q *
a b c d e f g h
i k l m n o p q
r s s t u v w x
y z]
Here ends this little Book.
End of Project Gutenberg's Of the Just Shaping of Letters, by Albrecht Dürer
Public-domain text, read in full here on John Shaqi.
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