For the last fortnight Servadac had not been occupying his proper
lodgings in the military quarters; having been appointed to make a local
levy, he had been living in a gourbi, or native hut, on the Mostaganem
coast, between four and five miles from the Shelif. His orderly was his
sole companion, and by any other man than the captain the enforced exile
would have been esteemed little short of a severe penance.
On his way to the gourbi, his mental occupation was a very laborious
effort to put together what he was pleased to call a rondo, upon a model
of versification all but obsolete. This rondo, it is unnecessary to
conceal, was to be an ode addressed to a young widow by whom he had been
captivated, and whom he was anxious to marry, and the tenor of his muse
was intended to prove that when once a man has found an object in
all respects worthy of his affections, he should love her “in all
simplicity.” Whether the aphorism were universally true was not very
material to the gallant captain, whose sole ambition at present was to
construct a roundelay of which this should be the prevailing sentiment.
He indulged the fancy that he might succeed in producing a composition
which would have a fine effect here in Algeria, where poetry in that
form was all but unknown.
“I know well enough,” he said repeatedly to himself, “what I want to
say. I want to tell her that I love her sincerely, and wish to marry
her; but, confound it! the words won’t rhyme. Plague on it! Does nothing
rhyme with ‘simplicity’? Ah! I have it now:
‘Lovers should, whoe’er they be,
Love in all simplicity.’
But what next? how am I to go on? I say, Ben Zoof,” he called aloud to
his orderly, who was trotting silently close in his rear, “did you ever
compose any poetry?”
“No, captain,” answered the man promptly: “I have never made any verses,
but I have seen them made fast enough at a booth during the fete of
Montmartre.”
“Can you remember them?”
“Remember them! to be sure I can. This is the way they began:
‘Come in! come in! you’ll not repent
The entrance money you have spent;
The wondrous mirror in this place
Reveals your future sweetheart’s face.’”
“Bosh!” cried Servadac in disgust; “your verses are detestable trash.”
“As good as any others, captain, squeaked through a reed pipe.”
“Hold your tongue, man,” said Servadac peremptorily; “I have made
another couplet.
‘Lovers should, whoe’er they be,
Love in all simplicity;
Lover, loving honestly,
Offer I myself to thee.’”
Beyond this, however, the captain’s poetical genius was impotent to
carry him; his farther efforts were unavailing, and when at six o’clock
he reached the gourbi, the four lines still remained the limit of his
composition.
CHAPTER II. CAPTAIN SERVADAC AND HIS ORDERLY
At the time of which I write, there might be seen in the registers of
the Minister of War the following entry:
Public-domain text, read in full here on John Shaqi.
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