California, Southern -- Fiction; Motion picture industry -- Fiction; Petroleum industry and trade -- Fiction; Political fiction
They discussed the latest developments in the tragedy which had befallen
Koski, one of the emperors of their screen world, who had had a
priceless stock in the cellar of his country place, and had taken the
precaution to have it walled in with two feet of brick, and guarded by
doors such as you would find on a bank vault; but thieves had come
during the owner’s absence, and bound and gagged the caretaker, and cut
through the floor of the drawing-room, above the cellar, and hauled out
everything with rope and tackle, and carted it away in trucks. Since
then Koski had been raising a row with the authorities; he charged that
they were standing in with the thieves, and he had brought in an outside
detective agency, and threatened a scandal that would shake the pants
off the police department. By this means he had got back the greater
part of his casks and bottles; but alas, the real stuff was gone, they
had all been emptied and refilled with synthetic. And so, after that,
there was a convincing story for your bootlegger to tell you; this was
some of the original Koski stuff! Millions of gallons of original Koski
stuff were being drunk in California, and even in adjoining states.
Suddenly Vee Tracy clapped her hands. “Oh, listen! I have one on Koski!
Him and some others! Has anybody heard The Movie’s Prayer?”
There was a silence. No one had.
“This is something for all of us to teach our children to recite every
night and morning. It is serious, and you mustn’t joke.”
“Let us pray,” said the voice of Bessie Barrie.
“Fold your hands, like good little children,” ordered Vee, “and bow your
heads.” And then with slow and solemn intonation she began:
“Our Movie, which art Heaven, Hollywood be Thy Name. Let Koski come. His
Will be done, in studio as in bed.”
There was a gasp, and then a roar of laughter swept the table; no
explanations were needed, they all knew their emperor, master of the
destiny of hundreds of screen actresses. “Go on!” shouted voices; and
the girl continued to intone an invocation, which echoed in outline and
rhythm the Lord’s prayer, and brought in the names of other rulers of
their shadow world, always with an obscene implication. It was a kind of
Black Mass, and performed the magic feat of lifting the conversation out
of the ditch of Prohibition. They talked for a while about the sexual
habits of their rulers; who was living with whom, and what scandals were
threatened, and what shootings and attempted poisonings had resulted.
There were thrilling crime mysteries, which would provide a topic of
conversation for hours in any Hollywood gathering; you might hear half a
dozen different solutions, each one positive, and no two alike.
VIII
Public-domain text, read in full here on John Shaqi.
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