Old and New Paris: Its History, Its People, and Its Places, v. 2 — John Shaqi
Old and New Paris: Its History, Its People, and Its Places, v. 2Edwards, H. Sutherland (Henry Sutherland)
History
Old and New Paris: Its History, Its People, and Its Places, v. 2
Edwards, H. Sutherland (Henry Sutherland)
Paris (France) -- Description and travel; Paris (France) -- History
The alacrity and enthusiasm of the London cabman are due to the fact
that when he has his passenger safely inside the hansom or “growler” his
soul is animated by the hope of obtaining a fare indefinitely in excess
of the legal tariff. The uniformity of fares in Paris deprives the
cabman of any enthusiastic interest in his work, as it likewise strips
him of some of the curious and amusing characteristics which he might
otherwise exhibit.
In our own metropolis a famous millionaire, having ridden one day in a
cab for the distance of a mile and a half, tendered the driver a
shilling in payment of his fare. The driver stared at the coin in the
palm of his hand and then proceeded to remonstrate. “Both your sons,
sir,” he said, “whenever they ride in my hansom, pay me at least
half-a-crown.” “I dare say they do,” replied the millionaire, “for they
have an old fool of a father to back them up.” In Paris, where this
millionaire had a brother as rich as himself, such an incident would
have been impossible.
[Illustration: WAITING FOR A FARE.]
* * * * *
Another figure of the Paris streets is, or rather until some twenty-five
years ago was, the Public Writer; not the contributor to an important
daily paper, but an unhappy scribe whose task it was to put into
epistolary form such matter as was entrusted to him for the purpose by
illiterate cabmen, workmen, and servant girls. The little booths with
desks in front where he exercised his strange profession have
disappeared as Paris has been demolished and rebuilt. The spread of
education among the lower classes was really his death-blow.
The public writer was usually an old man, sometimes one of erudition,
who had been reduced by severe reverses or persistent misery to a very
low position. He wrote a beautiful hand, and could on occasion compose a
poem. He could execute a piece of penmanship in so many different
handwritings (seventeen or eighteen), and his flourishes and
ornamentations were so magnificent, that he would never have prostituted
his pen to the service of shopgirls and domestics had not starvation
stared him in the face. Moreover, the cultivation of an acquaintanceship
with the Muses solaced him, and caused him to forget the day of his
greatness when, holding the diploma of a “master-writer,” he inscribed
the Ten Commandments or executed a dedication to the king on a bit of
vellum smaller than a crown piece. He could dash off verses at a
moment’s notice, and had always in reserve a varied assortment of
festive songs, wedding-lines, epitaphs, and simple and double acrostics,
to serve whatever occasion might arise.
[Illustration: OMNIBUS COACHMAN.]
Public-domain text, read in full here on John Shaqi.
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