Scraps and fragments of some of these tales have been given to the world
in popular publications, by writers who, not being able to read the
originals, took their information from printed books in the English
language. But I am forced to say that many of these specimens have been
presented in a very unfavourable and unjust light--distorted to make
them look _funny_, and their characters debased to the mere modern
conventional stage Irishman. There is none of this silly and odious
vulgarity in the originals of these fine old tales, which are high and
dignified in tone and feeling--quite as much so as the old romantic
tales of Greece and Rome.[II.]
A translation may either follow the very words, or reproduce the life
and spirit, of the original; but no translation can do both. If you
render word for word, you lose the spirit; if you wish to give the
spirit and manner, you must depart from the exact words, and frame your
own phrases. I have chosen this latter course. My translation follows
the original closely enough in narrative and incident; but so far as
mere phraseology is concerned, I have used the English language freely,
not allowing myself to be trammelled by too close an adherence to the
very words of the text. The originals are in general simple in style;
and I have done my best to render them into simple, plain, homely
English. In short, I have tried to tell the stories as I conceive the
old shanachies themselves would have told them, if they had used English
instead of Gaelic.
In the originals, the stories run on without break or subdivision;[III.]
but I have thought it better to divide the longer ones into chapters,
with appropriate headings.
In almost all cases I had at my command several copies of the same
story, some of them differing in phraseology and in minor points of
detail, though agreeing, in the main, in narrative and incident. I found
this a considerable advantage, as it gave me more freedom in the choice
of expression.
I have made full use of the literal translations of those tales that
have been already published in the Transactions of the Ossianic Society,
in the _Atlantis_, in the Proceedings of the Royal Irish Academy, and in
the Journal of the Royal Historical and Archæological Association of
Ireland. But, in order to secure the advantage of various readings, I
compared, in every case, the published text with at least one copy of
the story, in the Royal Irish Academy, in Trinity College, or in my own
private manuscript collection.
Public-domain text, read in full here on John Shaqi.
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