I was informed by Frank Bracebridge that the parson had been a chum of
his father's at Oxford, and had received this living shortly after the
latter had come to his estate. He was a complete black-letter hunter,
and would scarcely read a work printed in the Roman character. The
editions of Caxton and Wynkin de Worde were his delight; and he was
indefatigable in his researches after such old English writers as have
fallen into oblivion from their worthlessness. In deference, perhaps, to
the notions of Mr. Bracebridge, he had made diligent investigations into
the festive rites and holiday customs of former times; and had been as
zealous in the inquiry as if he had been a boon companion; but it was
merely with that plodding spirit with which men of adust temperament
follow up any track of study, merely because it is denominated learning;
indifferent to its intrinsic nature, whether it be the illustration of
the wisdom, or of the ribaldry and obscenity of antiquity. He had pored
over these old volumes so intensely, that they seemed to have been
reflected into his countenance indeed; which, if the face be an index of
the mind, might be compared to a title-page of black-letter.
On reaching the church porch, we found the parson rebuking the
gray-headed sexton for having used mistletoe among the greens with which
the church was decorated. It was, he observed, an unholy plant, profaned
by having been used by the Druids in their mystic ceremonies; and though
it might be innocently employed in the festive ornamenting of halls
and kitchens, yet it had been deemed by the Fathers of the Church as
unhallowed, and totally unfit for sacred purposes. So tenacious was he
on this point, that the poor sexton was obliged to strip down a great
part of the humble trophies of his taste, before the parson would
consent to enter upon the service of the day.
The interior of the church was venerable but simple; on the walls were
several mural monuments of the Bracebridges, and just beside the altar
was a tomb of ancient workmanship, on which lay the effigy of a warrior
in armour, with his legs crossed, a sign of his having been a crusader.
I was told it was one of the family who had signalised himself in the
Holy Land, and the same whose picture hung over the fireplace in the
hall.
During service, Master Simon stood up in the pew, and repeated the
responses very audibly; evincing that kind of ceremonious devotion
punctually observed by a gentleman of the old school, and a man of old
family connections. I observed, too, that he turned over the leaves of a
folio prayer-book with something of a flourish; possibly to show off an
enormous seal-ring which enriched one of his fingers, and which had the
look of a family relic. But he was evidently most solicitous about
the musical part of the service, keeping his eye fixed intently on the
choir, and beating time with much gesticulation and emphasis.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account